Painters Kadish and Morgan: Intrigue at the Clark

Kaddish, Morgan Paintings Metal, materials  and process bond the largely abstract  landscapes  of  Timothy Kadish (New Paintings) and Jessie Morgan (Night Tides)  in this month’s intriguing show at the Clark Gallery, 145 Lincoln Rd,  in Lincoln, MA.

Both sets of works provoke the viewer to ask–“What is this made of? And how  did the artist do that?”

Night Tides II, MorganMorgan’s  elegant abstract, monochromatic work appears, at first, to be photographic or  film-based  but the explanatory materials attest that it is acryllic painted on  aluminum or plexiglass–with wide brushstrokes seeming to form landscapes-sky, ice, water, snow, trees exhibiting  a  shiny, reflecting (and reflective?)  quality.  A few of the works use vibrant blues and greens.

Kadish’s colorful paintings– primitivistic, childlike and seemingly whimsical,  are full of Kadish Redsuprises–geometric shapes, animal figures, thick goopy coils of oil paint, metallic  oraments  painted, glued, stapled, pressed or otherwise  attached to the canvas…which isn’t  necessarily canvas.

Neophotosynth – 2009, for example, is an 80 x 60 oil including all of the above,Kadish-Large lead as well as  gouache, silver and gold leaf on silver-colored lead on copper that completely covers a frame .

The longer I stood in front of each painting, the more I found in it and the more I enjoyed it.

Both artists involved me in a process of  discovery that allowed me to absorb,  one step or  stroke at a time, how their concepts and motions brought their work  into being.

The exhibit is worth seeing.  It will be up through January 30.

—Anita M. Harris
New Cambridge Observer is a publication of the Harris Communications Group of Cambridge, MA. We also publish HarrisComBlog and Ithaca Diaries Blog.



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