Artificial intelligence is likely to transform the public sector by automating many government tasks—including making combat decisions. But, according to experts at a recent symposium held at Harvard University, this “over-the-horizon” technology can only guide and inform government leaders. There…
Cambridge writer Anita Harris felt inspired by the Georgia O’keeffe show at the Peabody Essex Museum in Salem, MA–which exhibits the work of a groundbreaking artist who lived and worked into her late 90s, and whose work remains impactful, today.
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Writer, photographer and wunner (someone who walks and runs?) Anita Harris thanks Ranger Jean Rogers for posting “etiquette” signs for Fresh Pond, Cambridge–and confesses to occasional lapses.
After someone gives Cambridge writer Anita Harris the finger at Fresh Pond (and, to be honest, Harris responds in kind), Ranger Jean Rogers explains rules of the road and etiquette for Cambridge’s public spaces. “We all matter and we all make a difference,” Rogers says.
On a recent visit to the Clark Art Institute in Williamstown, MA, Cambridge writer Anita Harris was engaged by the synergy of art and nature expressed in the work of Helen Frankenthaler–and of the museum’s architecture and its natural setting.
Cambridge writer Anita Harris was struck by the lightness, strength and movement in the work of Japanese potter Shozo Michikawa, whose forms often embody the unpredictability of objects shaped by natural forces.
Cambridge writer Anita Harris much enjoyed the performance Keytar Bear, a musician, on the Kendall Square MBTA platform. She shares a brief video, here. (Well, her train arrived).
