Much enjoyed last week’s opening of the Koch Institute’s 2017 Image Awards Exhibition. The exhibit, dubbed “with/in/sight”  includes 10 scientific images chosen as best-in-class from among some 120 entries from MIT life scientists and their collaborators across the country–and one from Ireland.

The display, in the public galleries at the Koch Institute for Integrative Cancer Research, is the Koch’s seventh in as many years. Its goal is to celebrate “the diversity of biomedical research at MIT and offers insight into the important role that science and engineering play in our complex and ever-changing world,” according to a Koch brochure.

The images are printed on t-shirt material stretched across frames back lit with LEDs. They are striking artwork in themselves– and showcase some of the most exciting work under way in the cancer research arena.

“Making Waves: Delivery for Ageless Skin.” Koch Institute, Harvard University, Mass General Hospital.

“Making Waves” conveys research on non-invasive sound waves that carry genetic material through protective layers of skin, transferring genes to cells whose genetic clocks have been turned back by the nucleic acids they have received– in order to reverse skin-aging. Credits go to Carl Schoellhammer, Denitsa Milanova, Hamberto Trevino, Cody Cleveland, Jeffrey Wyckoff, Anna Mandinova, Giovanni Traverso, Robert Langer, and George Church.

Whithead Institute: Snap Chat: A Flatworm Creates a New Profile

At the Whitehead Institute, Samuel LoCascio, Kutay Deniz Atabay and Peter Reddien are studying planarian flatworms to learn more about how they regerate. Each color in their image represents a different layer of neurons in the flatworm’s head.

Downstream Dreams: Investigating Melanoma in a Zebrafish: Koch Institute, MIT

Dahlia Perez and Jacqueline A. Lees are studying zebrafish to provide insight into melanoma. This image shows the organization of zebrafish cells in their normal state. Next, biologists will mutate a single gene known to initiate a certain melanoma in order to determine its “downstream” effects.

Center: “Minding the Gap: Studying the Tumor Extracellular Matrix,” Koch Institute

Tumor Penetrating Nanoparticles Infiltrate Cancer Cells, Koch Institute

Steffen RIckelt and Richard Hynes of the Koch Institute are studying not the clusters of brownish colon cancer metasteses shown in the image, screen, but, rather, the “seeming neutral” tissue matrix around them. The goal is determine how the matrix impacts the progression of tumor cells navigating a complex network of cells and proteins.

Langliang Hao, Srivatsan Raghavan, Emilia Pulver, Jeffrey Wyckoff and Sangeeta Bhatia of the Koch Institute are using  biocompatible nanoparticles (yellow) to target and penetrate clusters of cancer cells (pink) with the goal of delivering treatment.

Body of Knowledge: Self-Organized Brain Cells, MIT Department of Biological Engineering and Koch Institute at MIT.

Colin Edington, Iris Lee and Linda Griffith of MIT are involved in the Griffith lab’s “Human on a Chip,” project, in which many different”mini organs”, developed from stem cells in matrix, are linked together in a bioreactor platform. The researchers are studying interactions of multiple organs and the cross between them in order to develop new disease treatments. Shown here are neurons (green) and astrocytes (red).

Microfluidics for the Masses, Measuring Cell Growth Rates, Koch Institute

Selim Olcum, Nathan Cermak and Scott Manalis are using microfluidics to measure the response of cell masses to drugs. Their image shows fluid filled channels (bottom) connected to tiny mass sensors shaped like hollow diving boards (top); the sensors’ whose  vibrations precisely reveal the mass of individual cells passing through them. As treated cells flow across the array of sensors, each cell is weighed multiple times, thereby revealing how quickly the mass of individual cells is changing. Researchers are beginning to use this method to predict optimal treatment strategies for individual patients.

Hashtag No Filter,: Visualizing Breast Cancer Conversations. Royal COllege of Surgeons in Ireland and Wellcome Images.

My favorite image does not show cells, nor was it submitted by an MIT lab. Rather, it visualizes twitter conversations about breast cancer carried out by a network of connected cancer patients and their loved ones, patient advocates, health care professionals, and researchers. The image, by Erie Clarke, Richard Arnett and Jane Burns of the Royal College of Surgeons in Ireland,  represents 92, 915 tweets posted over an eight-week period. It is from the Wellcome Images collection.

Other images not included here display pathways taken by metatastic lung cancer cells over time and  ovarian cancer cells as they break through the abdominal wall.

I’m the first to admit that these photos do not do justice to the real images–nor do they adequately convey the amazing convergent technologies –including imaging–used to carry out the research.

The gallery,  at street level in the Koch Institute, 500 Main Street, in Cambridge, is open to the public at no charge from 8-6 Monday-Thursday, and until 4 pm on Friday. The images are also visible from the sidewalk, outside.

Through March 2018.

Anita Harris is a writer, photographer and communications consultant based in Cambridge, MA.
New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and market development firm located in Kendall Square, Cambridge.

When I checked out Yuvee, Inc.’s newly launched “map of the Web” for visual arts in the greater Boston area, I was pleased to find links to the various museums and galleries laid out on a single page that showed museums’ geographic relationship to one another–and leading to brief summaries of each museum’s collection, its Twitter, Pinterest, and other social sites, as well as its address and phone number.

But I was more than pleased–actually, I was  amazed to find a section devoted to public art –including small galleries and installations– some of which are in quite out-of the way places. For example, one link, to the City of Cambridge’s public art tour,   took me to a mesmorizing video installation I’d first discovered after attending a Yoga class at the youth center  on Huron Avenue.

The video, by The Cantabridgians”, by Michael Oatman, includes 23 1-minute portraits of Cambridge Residents posed with objects in locations of their choice, designed to provide a sense of them in their particular neighborhoods.

Other links from  Web Hub’s map of the “public”  visual arts go to the City of Boston Public Art sites and the Rose Kennedy Greenway.

The Boston Art Map, accessible at maps.webhub.mobi/boston-art, is one of the first sites brought to “life” by newly launched “Yuvee, Inc.,” under the auspices of “WebHub” and “A Social Atlas of the Web.”   According to Yuvee founder Tim Higginson, WebHub is focused on enabling the next generation of Web experience for the “cross device”‘ lifestyle in which individuals use smartphones to access the web.

“An atlas is a collection of geographic maps, which help people find their way from A to B, learn and explore what is in an area and see connections between places, Higginson explains.  “Maps” of the Web do the same thing for people who are using the Internet. They give people an Instant, organized way to find and explore a whole of resources and the ability to switch easily among maps on different topics. At http://WebHub. mobi, “anyone can make a map of the Web on any topic,  and share the map with others.

According to Higginson, the map concept is ” a vast improvement” over traditional search engines, which deliver long, linear lists with items separated from the others, and require individual searches and sifting through pages of results. Such lists do not convey interrelationships and structure among items. Other resources, such as Pinterest, Tumblr, Facebook and Youtube tend to focus on single types of information. In contrast, he explains , “maps” of the Web can pull all these relevant items together in a structure, organized and annotated way, in a single URL that is always available from anyone’s smartphone, tablet, laptop, pc or other Web-enabled device.

The maps are independent of browser and OS, do not require downloads, syncing, re-doing searches, typing urls, or even knowing a  know a URL on a topic covered by a map to get an in-depth experience of the Web on that topic. What is more, Higginson says, “WebHub is free and respects its users’ privacy. “We hope this Boston Art ‘map of the Web’ gives people a richer, faster, easier way to learn about and enjoy all the incredible things that are going on in the visual arts in and around Boston..and that people enjoy all the other maps available at www..webhub.mobi.”

I note that it’s possible to advertise on WebHub, which, Higginson says, is its business model.

–Anita M. Harris New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and marketing firm based in Cambridge, MA.

Breakthrough Greater Boston, the nonprofit organization dedicated to preparing under-resourced students to attend four-year colleges and to training the next generation of urban teachers, reports that it raised $215, 000 in its annual Springfest event on April 24th. 

According to a recent press release:

Springfest supports Breakthrough Greater Boston’s (BTGB) college access and teacher training programs, with this year’s event held at the Moakley Courthouse in Boston to celebrate the program’s site expansion to Dorchester. . Commencing this summer, the organization will bring its successful Students Teaching Students model to Boston, marking the first time BTGB will run multiple sites in the Greater Boston area. The program’s inauguration at TechBoston Academy in Dorchester will double the number of traditionally underserved middle and high school students and aspiring young teachers benefiting from its services.

“Springfest represents a fantastic opportunity for the Cambridge and Boston communities to come together and support equal access to quality education,” said Executive Director of Breakthrough Greater Boston, Elissa Spelman. “Over the past 20 years, Breakthrough has proudly served the Cambridge community, helping students bridge the achievement gap. We are thrilled to now bring our services to the Boston community to guide twice as many students in achieving their dream of graduating from a four-year college.”

The event, attended by 300 participants, provided a fun and inspiring evening for the BTGB community to support the organization’s goals and to help fund the intensive out-of-school time academic and teacher training programming. Held in the landmark Moakley Courthouse in Boston, guests were treated to a reception with live music, student and teacher testimonials, and remarks from the organization. The event also featured a live auction and raffle with donated contributions from more than a dozen local businesses and individuals.

For more information on Breakthrough Greater Boston, please visit www.breakthroughgreaterboston.org

About Breakthrough Greater Boston
Breakthrough Greater Boston (BTGB) transforms urban education for students and teachers in Boston and Cambridge. Through six years of intensive, out of school time programming, Breakthrough changes students’ academic trajectories and supports them along the path to four-year college. Simultaneously, Breakthrough builds careers in education through an unparalleled teacher training program for college-aged students that features competitive national recruitment, research-based training, and daily coaching from master teachers. Breakthrough’s unique Students Teaching Students model inspires college students to become the next generation of urban educators and students to become college graduates. Visit http://breakthroughgreaterboston.org to learn more.

–ANita M. Harris

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and digital marketing firm located in Kendall Square, Cambridge.

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Dropped by last night’s opening at the Davis Orton Gallery in Hudson, NY, where former Cantabridgians Karen Davis and Mark Orton featured photographers  John Chervinsy,  John Cyr,   Elaine Mayes, and  David Torcoletti –each making powerful statements about  photography, art,  perception,  human emotion and the passage of time.

In “Studio Physics,” Chervinsky’s images challenge traditional photography by depicting not a single instant, but the passage of time.  He begins by composing and photographing a still life. Then, he crops a subset of the image sends it as a  file digitally to a painting factory in China, waits weeks for an anonymous artist in China to complete an oil painting of the cropped section and send it back in the mail, and, finally, he reinserts the painting into the original setup and rephotographs.

According to the Davis-Orton Website, “Chervinsky is interested in the tensions expressed in the comparison between reality vs. representation while adding, in this series, an unusual collaboration process with an anonymous artist half way around the world and subtle changes over time that we might otherwise take for granted.”

John Cyr’s photos of   developer trays memorialize the specific, tangible  tools used by photographer for a century–before the advent of digital media.

By titling each tray with its owner’s name–some quite renowned–” Cyr references the historical significance of these objects in a minimal manner that evokes thoughts about the images that have passed through each artist’s tray.”

While a few of the photographed trays appear relatively clean and empty, others frame beautiful abstract  patterns and formations.

Elaine Mayes,  former chair of the photography department at New York University,  takes photos of artistic and advertising  images in their  context–usually through glass–to  include not only the surrounding scene but also environmental particulars of the world beyond as reflected  in the glass.

“While thematically, the project is about how photographs and advertising imagery permeate our lives; it is also about how the flattening of space in a photograph can produce  a collage filled with unexpected content. ”

Especially moving were David Torcoletti “Soldiers”, a small portion of  hundreds photographs of U.S. soldiers that, during the Vietnam War,  were mailed to  a South Vietnamese radio and television personality known professionally as “Mai Lan.” For hours every day, Mai Lan broadcast to American troops stationed there. She also spent much time visiting wounded soldiers in hospitals all around the country.  English was her second language, but she was able to communicate very directly with her audience  Often the photos were inscribed with simple, touching and sincere declarations of appreciation for giving comfort to the subjects of the pictures. When the North overran South Vietnam, Mai Lan had to leave quickly;  she chose a small box of photographs to bring along, leaving hundreds behind.

According to  the Davis Orton Web site, ” Years later, Mai Lan, now Denise, and a colleague of David Torcoletti’s at a private school, showed him the images”–many of which were not well preserved. Torcoletti photographed all of the images and, with her permission, digitally adjusted twenty-four that he found most powerful  for  exposure, contrast, burning, dodging, color balance and saturation. All of these decisions were emotional and aesthetic. “For Torcoletti, the power of these objects was in the way they were disintegrating, barely holding on to the original image while becoming something else entirely.  They were now less specific to the individuals depicted and more about war and hope and a peculiar, distant “love” that sustained these men in impossible circumstances.”

The show closes November 11, 2012.

–Anita M. Harris

New Cambridge Observer is a publication of the Harris Communications Group, a public relations and online marketing firm based in Cambridge, MA.