My writers group, the Write Stuff, based in LIncoln, MA, Public Library , will be celebrating its 10th anniversary on May 27;  I’m delighted to be joining fellow-members in a public reading from our work at the Library, 3 Bedford Rd, at 7 pm.

The Write Stuff started in fall 2005 as a series of craft sessions led by Jeanne Bracken, then research librarian, to encourage more local writers to contribute to the Lincoln Review, a local publication founded and edited by Elizabeth Smith, of Lincoln.

According to Neil O’Hara, who volunteers as Write Stuff’s facilitator, “It morphed into a critique group over the winter, led by Jeanne through September 2006, when I took over as facilitator.”

WS meets twice a month all year round, typically with four readings of up to 1000 words. All types of writing are welcome: fiction, non-fiction,  poetry, scripts and the like, with no restrictions on content/subject matter, O’Hara said.  There is no charge to join or contribute.

“Our goal is to provide constructive criticism to foster better writing–and it works, as any longstanding member will attest.”  O’Hara says his own writing has improved over the years, which he credits in part to WS, both because members have provided excellent feedback and because, as facilitator, “I feel an obligation to explain both what works and doesn’t work for me—and also why.”

While intent to publish is not a requirement, five Write Stuff members have published books in the last several years. They include: Bracken, Children With Cancer, a comprehensive reference guide for parents,  updated, rev.; Susan Coppock , Fly Away Home;  Anita M. Harris, Ithaca Diaries and Broken Patterns: Professional Women and the Quest for a New Feminine Identity 2^nd edition; the Rev. Jean F. Risley, Recovering the Lost Legacy:Moral Guidance for Today’s Christians; and Rick Wiggin, Embattled Farmers: Campaigns and Profiles of Revolutionary Soldiers from Lincoln, Massachusetts, 1775-1783;

In addition to providing members with a safe place to test out their work, the group continues to serve its original purpose, O’Hara says. Today, almost every edition of the Lincoln Review includes contributions from one or more WS members.

Readers on Wednesday will include:

Helen Bowden
Carmela D’Elia
Deborah Dorsey
Anita M. Harris
Joyce Quelch
Jean Risley
Ed Robson
Channing Wagg

The library is a member of the Minuteman Library System,  is a consortium of 43 libraries with 62 locations and a Central Site staff that work collectively to provide excellent service to its library users. The members include 36 public and 7 college libraries in the Metrowest region of Massachusetts..

For more information about the Write Stuff please contact Neil O’Hara: neiloh52 at gmail.com For directions to the library, please check the library home page at http://www.lincolnpl.org.

–Anita M. Harris
Anita M. Harris is a writer and communications consultant based in Cambridge, MA.New Cambridge Observer is a publication of the Harris Communications Group, a PR and marketing firm based in Kendall Square, Cambridge.

Excited to have been interviewed about Ithaca Diaries by radio personality  extraordinare Lisa Mullins.  A segment is slated to air nationally on NPR’s “Here and Now,”  on Memorial Day, May 25, 2015.  The  program airs live on WGBH Boston from 12 p.m. to 2 p.m. Both in Boston and elsewhere you can  choose a live stream from WBUR or Click here for a searchable list of public radio stations that broadcast Here & Now.

According to the Here and Now Website, you can also:

Hear individual stories: Audio for stories in the first hour of Here & Now is typically posted by 2:30 p.m. EST. Audio for stories in the second hour is typically posted by 3:30 p.m. EST. You can listen to past shows by browsing or searching the archives.

Hear the whole show: You can stream each hour of Here & Now using the WBUR mobile app. A podcast of each hour is also available in the iTunes store, within hours of its air time (better time estimates coming soon). For more ways to download the podcast (not using iTunes), go here.

About Here and Now:
Here and Now is a live production of NPR and WBUR Boston, in collaboration with public radio stations across the country.  According to its Website, the program reflects the fluid world of news as it’s happening in the middle of the day, with timely, smart and in-depth news, interviews and conversation.

Co-hosted by award-winning journalists Robin Young and Jeremy Hobson, the show’s daily lineup includes interviews with NPR reporters, editors and bloggers, as well as leading newsmakers, innovators and artists from across the U.S. and around the globe.

Here & Now began at WBUR in 1997, and expanded to two hours in partnership with NPR in 2013. Today, the show reaches an estimated 3.6 million weekly listeners on over 383 stations across the country.

About Ithaca Diaries
Ithaca Diaries  is a coming of age memoir set at Cornell University in the tumultuous 1960s. The story is told in first person from the point of view of a smart, sassy, funny, scared, sophisticated yet naïve college student who can laugh at herself while she and the world around her are having a nervous breakdown. Based on Harris’ own journals and letters, interviews and other primary and secondary accounts of the time, Ithaca Diaries describes collegiate life as protests, politics, and violence increasingly engulf the student, her campus, and her nation. Her irreverent observations serve as a prism for understanding what it was like to live through those tumultuous  times.While often laugh-out-loud funny, they provide meaningful insight into the process of political and social change we are continuing to experience, today.

Ithaca DIaries is available from Amazon, Kindle and the Cornell Campus Store.

Anita M. Harris is an award-winning writer, blogger, and communications consultant based in Cambridge, MA. A new edition of her  first book, Broken Patterns, Professional Women and the Quest for a New Feminine Identity, was published in 2014. 

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and marketing firm based in Cambridge, MA.

Photo: Anita M. Harris

I was privileged to  preview  the stunning new Whitney Museum in New York City, which has moved from its Marcel Breuer-designed building on Madison Avenue at 78th Street to 99 Gansevoort St. Scheduled to open to the public on May 1, the  225,000 sq.ft. glass-and steel building designed by architect Renzo Piano is located in the old meat packing district, a stone’s throw from the Hudson River.

It has already attracted a  number of restaurants and upscale  shops, says friend and New York arts writer Terry Trucco.

Trucco was wowed by the current exhibit–“America is Hard to See”– which is comprised of more than 400 works from the Whitney’s own collection (now numbering 22,000 works by some 3,000 artists). 

The exhibit spans the entire building, occupying both interior and exterior spaces. It’s organized into a series of 23 “chapters”, each titled after an individual work.

It begins on the glass-enclosed first floor, with an introduction to the Whitney’s early history. (The museum was founded by sculptor and arts patron Gertrude Vanderbilt Whitney in 1931.)  The exhibit then moves to the eighth floor, and proceeds down to the 5th and, finally to the third, with work from a different period on each floor.

According to a Whitney brochure: The exhibition reexamines the history of art in the United States from 1900 to the present. It elaborates the themes, ideas, beliefs and passions that have galvanized American artists in their struggle to work within and against established conventions, often directly engaging their political and social contexts. Numerous pieces that have rarely, if ever, been shown appear alongside beloved icons in a conscious attempt to unsettle assumptions about the American art canon.

The title, “America Is Hard to See,”  comes from a Robert Frost Poem and a political documentary by Emile de Antonio.The show constitutes “a kind of collective memory–representing a range of individual sometimes conflicting attitudes toward what American art might be or mean or do at any given moment.”

I very-much liked the numerous “surprises” in the show: elevators opening onto vibrant wallways;

statues looking at paintings; 

guards willing to pose near sculpture of guards;

whimsical works amidst the profound,

and elevator interiors that are commissioned artworks by the late Richard Artschwager.

But I was blown away by the architectural and design elements of the structure–making the museum itself a work of art.

Inside,  I loved the airy, expansive galleries,

creative placement of work,

and

from windows, views of the Hudson river, New Jersey and New York city scapes.

Looking down–installations of outdoor galleries by artists such as Mary Hellman.

And, on the the outside–looking up– wonderful shapes, against the sky.

Throughout, there was an air of festivity, with helpful guards who clearly enjoyed their new workspace, and in the first floor cafe,  staffers  taking part in a celebration of their own.

The Whitney opens to the public on May 1. “America is Hard to See” runs through September 27, 2015.

–Anita M. Harris

Anita M Harris, a writer and communications consultant based in Cambridge, MA, reported on the arts and other topics for national public television. Currently, she is managing director of the Harris Communications Group, an award-winning public relations firm. She is also the author of Broken Patterns, Professional Women and the Quest for a New Feminine Identity, and Ithaca Diaries, (Cambridge Common Press, 2014) .

c.  Anita M. Harris 2015

Anita M. Harris

An aspiring author asks if she needs a Website for her new book.

My answer is yes:.the more exposure you can get on the Web the better–so that people searching for you or your topic can find you. But building a website is not for the faint of heart.

Having researched several site-building platforms, I decided to use WordPress to  build this site and  sites for my books,  Ithaca Diaries and Broken Patterns.

I chose WordPress because it seemed to be the simplest option, and you  can build a site a WordPress.com for free.   But I have to say  there was  quite a learning curve. To start with, the free templates are not at all intuitive (nor are the paid ones).

Then I had to decide if I would  pay for my own domain (web address). That is,   a free WordPress site  for New Cambridge Observer would be posted on WordPress.com and have the address  http://newcambridgeobserver.wordpress.com. I opted to pay approximately $12 to purchase the domain name  “New Cambridge Observer,” so that it could have the simpler address  https://newcambridgeobserver.com.  Then, I had to decide if I would pay for hosting at wordpress.com (simple, but limited options to sell from a site there,)  or pay to have it hosted on the server of a company like Godaddy, com..   I chose the latter because it allows more versatility and hosts my multiple sites for approximately $100 a year.

But no matter which building or hosting option you choose,: be aware that once your site or blog is launched, it takes a lot of time and energy to get readers to go there.  You need to understand the ever changing methods of search engine optimization and be very active on social media. And  once you get readers to the site, it’s a challenge to get them to comment or interact.  (To my readers–what gives?)

So, if you want to do it yourself, I’d advise a simple site optimized for SEO, combined with an intense social media plan. . If your goal is to build a community, you should put time, energy and $ into a Web site. If your goal is to sell books, I’d advise  a small site or blog (like this one–I used a free template called “Magazine Basic”).  It’s relatively easy to post   important information and links  that will take readers to Amazon, Kobo or other sites for stores where your books are available. You should also build an author site on Amazon–that’s  easy compared with building a Web site– but you still need to get people to go there.

Good luck!

–Anita M. Harris
Author, Ithaca Diaries, Coming of Age in the 1960s, Cambridge Common Press, 2015)  Broken Patterns, Professional Women and the Quest for a New Feminine Identity (Cambridge Common Press, 2014)

New Cambridge Observer is a publication of the Harris Communications Group, a marketing and PR firm based in Cambridge, MA.

When I checked out Yuvee, Inc.’s newly launched “map of the Web” for visual arts in the greater Boston area, I was pleased to find links to the various museums and galleries laid out on a single page that showed museums’ geographic relationship to one another–and leading to brief summaries of each museum’s collection, its Twitter, Pinterest, and other social sites, as well as its address and phone number.

But I was more than pleased–actually, I was  amazed to find a section devoted to public art –including small galleries and installations– some of which are in quite out-of the way places. For example, one link, to the City of Cambridge’s public art tour,   took me to a mesmorizing video installation I’d first discovered after attending a Yoga class at the youth center  on Huron Avenue.

The video, by The Cantabridgians”, by Michael Oatman, includes 23 1-minute portraits of Cambridge Residents posed with objects in locations of their choice, designed to provide a sense of them in their particular neighborhoods.

Other links from  Web Hub’s map of the “public”  visual arts go to the City of Boston Public Art sites and the Rose Kennedy Greenway.

The Boston Art Map, accessible at maps.webhub.mobi/boston-art, is one of the first sites brought to “life” by newly launched “Yuvee, Inc.,” under the auspices of “WebHub” and “A Social Atlas of the Web.”   According to Yuvee founder Tim Higginson, WebHub is focused on enabling the next generation of Web experience for the “cross device”‘ lifestyle in which individuals use smartphones to access the web.

“An atlas is a collection of geographic maps, which help people find their way from A to B, learn and explore what is in an area and see connections between places, Higginson explains.  “Maps” of the Web do the same thing for people who are using the Internet. They give people an Instant, organized way to find and explore a whole of resources and the ability to switch easily among maps on different topics. At http://WebHub. mobi, “anyone can make a map of the Web on any topic,  and share the map with others.

According to Higginson, the map concept is ” a vast improvement” over traditional search engines, which deliver long, linear lists with items separated from the others, and require individual searches and sifting through pages of results. Such lists do not convey interrelationships and structure among items. Other resources, such as Pinterest, Tumblr, Facebook and Youtube tend to focus on single types of information. In contrast, he explains , “maps” of the Web can pull all these relevant items together in a structure, organized and annotated way, in a single URL that is always available from anyone’s smartphone, tablet, laptop, pc or other Web-enabled device.

The maps are independent of browser and OS, do not require downloads, syncing, re-doing searches, typing urls, or even knowing a  know a URL on a topic covered by a map to get an in-depth experience of the Web on that topic. What is more, Higginson says, “WebHub is free and respects its users’ privacy. “We hope this Boston Art ‘map of the Web’ gives people a richer, faster, easier way to learn about and enjoy all the incredible things that are going on in the visual arts in and around Boston..and that people enjoy all the other maps available at www..webhub.mobi.”

I note that it’s possible to advertise on WebHub, which, Higginson says, is its business model.

–Anita M. Harris New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and marketing firm based in Cambridge, MA.

As an author, I’m having trouble getting my head around an email I received this morning from Amazon Kindle Direct publishing–charging Hachette Publishing Company with illegal collusion and asking me (and all authors) to demand that Hachette lower its ebook prices. Evidently, due to anti-trust settlement, Amazon can’t undercut Hachette e-book prices and is trying to renegotiate.  I ask you (and Amazon and Hachette): Are books a commodity? An art form? Something in-between? Does Hachette, with high-ish book prices, value the written word or is the company just out for high margins, of which most authors receive little?  Now, the New York Times reports, Amazon is calling on readers to pressure Hachette,  some best-selling authors are fighting Amazon,  and, as the following email shows, Amazon wants other authors to fight back.  I feel caught in the crossfire. Are we pawns in a battle between publishing giants? What is a  (literally) poor author to do? –Anita Harris, author, Broken Patterns, Professional Women and the Quest for a New Feminine Identity  and Ithaca Diaries.   Here’s this morning’s email from Amazon Kindle: Dear KDP Author,

Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year.

With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion. 

Well… history doesn’t repeat itself, but it does rhyme.

Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive.

Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers.

The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books.

Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive.

Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We’ve quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.

But when a thing has been done a certain way for a long time, resisting change can be a reflexive instinct, and the powerful interests of the status quo are hard to move. It was never in George Orwell’s interest to suppress paperback books – he was wrong about that.

And despite what some would have you believe, authors are not united on this issue. When the Authors Guild recently wrote on this, they titled their post: “Amazon-Hachette Debate Yields Diverse Opinions Among Authors” (the comments to this post are worth a read).  A petition started by another group of authors and aimed at Hachette, titled “Stop Fighting Low Prices and Fair Wages,” garnered over 7,600 signatures.  And there are myriad articles and posts, by authors and readers alike, supporting us in our effort to keep prices low and build a healthy reading culture. Author David Gaughran’s recent interview is another piece worth reading.

We recognize that writers reasonably want to be left out of a dispute between large companies. Some have suggested that we “just talk.” We tried that. Hachette spent three months stonewalling and only grudgingly began to even acknowledge our concerns when we took action to reduce sales of their titles in our store. Since then Amazon has made three separate offers to Hachette to take authors out of the middle. We first suggested that we (Amazon and Hachette) jointly make author royalties whole during the term of the dispute. Then we suggested that authors receive 100% of all sales of their titles until this dispute is resolved. Then we suggested that we would return to normal business operations if Amazon and Hachette’s normal share of revenue went to a literacy charity. But Hachette, and their parent company Lagardere, have quickly and repeatedly dismissed these offers even though e-books represent 1% of their revenues and they could easily agree to do so. They believe they get leverage from keeping their authors in the middle.

We will never give up our fight for reasonable e-book prices. We know making books more affordable is good for book culture. We’d like your help. Please email Hachette and copy us.

Hachette CEO, Michael Pietsch: Michael.Pietsch@hbgusa.com

Copy us at: readers-united@amazon.com

Please consider including these points:

– We have noted your illegal collusion. Please stop working so hard to overcharge for ebooks. They can and should be less expensive.
– Lowering e-book prices will help – not hurt – the reading culture, just like paperbacks did.
– Stop using your authors as leverage and accept one of Amazon’s offers to take them out of the middle.
– Especially if you’re an author yourself: Remind them that authors are not united on this issue.

Thanks for your support.
 
The Amazon Books Team

P.S. You can also find this letter at www.readersunited.com   New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and Marketing firm located in Kendall Square, Cambridge, MA.

Boston children’s book author Irene Smalls has joined forces with artist/illustrator Cathy Ann Johnson and publicist Ayanna Najuma to establish 2GoGlobal Marketing--an agency to promote independent authors and small publishers at the Frankfurt International Book Fair, in October of 2014.

Frankfurt, the world’s oldest and largest book fair, is attended by some 300,000 publishers, buyers and authors seeking to purchase and sell international rights to books. Approximately 120 countries are represented, at some 1750 booths.

Typically, independent authors and publishers are not represented in Frankfurt.

But 2GoGlobalMarketing will exhibit books in a Frankfurt Book Fair front row booth, “hand sell” and actively search for international sales opportunities for select books, “ according to Smalls.

Smalls, an award-winning author who writes primarily for “diverse” or minority children, was told by her publishers there was “no interest” in her books internationally. But she found that was not true.  “Publishers from Lebanon and China expressed interest in my titles. I would not have known that without pursuing international rights sales on my own.”

According to Johnson: “Authors and illustrators must be entrepreneurs.  Being represented in Frankfurt is the next step in developing our brands and literary businesses.”

Najuma, who will direct 2GoGlobalMarketing’s promotion at the show, said: “Many representatives merely place books on a shelf in a booth. 2GOGlobalMarketing will showcase individual books and seek out buyers at events and venues throughout the show.”

2GoGLOBALMarketing is currently accepting a small number of select titles to showcase, for a $500 fee.  Authors  and small publishers may apply through August 31, 2014 via the 2GoGLOBAL website www.frankfurt2014.com.

Authors represented by 2GoGLOBAL  are also welcome to hold book signings at the 2GoGlobalMarketing booth.

–Anita M. Harris
Anita Harris is the author of Broken Patterns, Professional Women and the Quest for a New Feminine Identity (2014) and Ithaca Diaries (forthcoming, 2015).

New Cambridge Observer is a publication of the Harris Communications Group--an award-winning PR and marketing firm based in Cambridge, MA.

We are within days of the anniversary of the first revelations from Edward Snowden’s archive of NSA documents. The drum beat of new stories emerging from this trove continues even to this moment.¹ So, Glenn Greenwald’s book, No Place To Hide: Edward Snowden, the NSA, and the US Surveillance State might be greeted with a yawn, what could be new?

In fact, there is much that is new about how these stories have come to light and a very good overview of what we have learned about what Greenwald calls the US Surveillance State. This is a book in two parts. The first 89 pages read like a cross between a detective thriller and a spy story. There are hand offs of thumb drives at airport boarding gates, virgin computers, cell phones sealed off from the reach of the NSA by removing batteries or stuffed in freezers, meetings with a yet to be identified Snowden by an unsolved Rubik’s cube in hand. This part of the book also establishes who Snowden is and how he thinks and views the world and his place in it. This latter introduction of Snowden is completely consistent with the person we have already come to know through his video interviews broadcast a year ago.²

The second half (really it is 170 pages) is a well organized exploration of what has been revealed so far of the NSA’s goals and programs.

THE GIANT SUCKING SOUND – “COLLECT IT ALL”

It is chilling to understand that the internal ethos of the NSA is summed up by the phrase “collect it all” where “it” is all of the information flows in the telephone and internet in the world.  As expressed in the presentation slide “New Collection Posture” from 2010, this is implemented through six strategies: “Sniff It All”, “Know It All”, “Collect It All”, “Process It All, “Exploit It All, and “Partner It All”. Even if you have been following the revelations as published in the various news sources favored with direct access to the Snowden documents, it was hard to envision quite how comprehensive the vision of the NSA is.

BUREAUCRATS DRESSED UP AS JUDGES

Greenwald reiterates the well-known fact that so-called court, the Foreign Intelligence Surveillance Court, set up by congress to oversee activities of the NSA, FBI and others engaged in intercepting communications is not even an effective administrative element. He notes that in 2012 the “court” did not deny a single on of the 1789 applications. As i have argued earlier³ this so-called court lacks most of the important features that our tradition requires of a court – openness, representation of the plaintiff by a lawyer, and ability to confront accusers. The FISC is just a bunch of bureaucrats dressed up as judges.

BENIGN META DATA

Another issue that Greenwald deals with is the claim by the government and its apologists in the media and academia that the collection of meta data is not really an intrusion on privacy – the NSA is not collecting the content of the communications.(( earlier I have twice commented on this issue: “NSA Vacuuming, Meta Data, Mistaken Misleading Metaphors” and “The Uses of Metadata – an experiment you can conduct with your own life’s metadata“)) In a very telling note Greenwald repeats other privacy activists challenge to those claiming that meta data is benign that they release the meta data for all of their phone calls, emails, and other electronic communications. None have thus far taken up this challenge.

Greenwald touches on many other topics: the role of corporations, surveillance of US allies, many NSA software tools to exploit their data warehouses, privacy in human identity, and more.

In closing, Greenwald’s book is an excellent overview of the issues presented to date by the work done to understand the Snowden documents. And, it is actually a great read with its detective/spy thriller opening that engages the reader so effectively in the drama of the early days of the Snowden whistle blowing.

1. NSA Collecting Millions of Faces from Web Images http://www.nytimes.com/2014/06/01/us/nsa-collecting-millions-of-faces-from-web-images.html accessed 06012014 [↩]
2.  http://www.theguardian.com/world/video/2013/jun/09/nsa-whistleblower-edward-snowden-interview-videoand http://www.theguardian.com/world/video/2013/jul/08/edward-snowden-video-interview both accessed 06012014 [↩]
3. “FISA Court – Not a Court – an Administrative Rubber Stamp – Bureaucrats Dressed Up as Judges” http://currentmatters.markorton.com/2013/07/fisa-court-not-a-court-an-administrative-rubber-stamp-bureaucrats-dressed-up-as-judges/ [↩]

–Mark Orton

This review was originally posted at

Current Matters

thoughts on the passing scene from Mr. Wonderful’s World

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and marketing firm based in Cambridge, MA. Mr. Orton is a HarrisCom advisor.