Earlier this month, in Kendall Square, two entrepreneurs described new medical devices designed to provide low-cost “point-of-care” tests-far from laboratories or medical centers in the developing world.

Speaking at a meeting of  Health Care and Life Science Special Interest Group of the MIT Enterprise Forum at the British Consulate  former Mass Biotechnology Council  President Una Ryan described the paper-based  medical testing technology that her new nonprofit enterprise,  Diagnostics for All (DFA), has licensed from the George Whitesides Laboratory at Harvard.

The technology allows bodily fluid to accumulate in patterns on postage-stamp sized pieces of paper–to be used for  multiple  tests simultaneously. DFA’s first project, funded in part by the Bill and Melinda Gates Foundation, is a liver function test to monitor the effects of drugs for HIV/AIDS and tuberculosis, and  to help manage viral hepatitis.  The test kits will first be sold in convenience stores in Africa at a cost of approximately ten cents each, Ryan said.

Bill Rodriguez, CEO of Daktari Diagnostics, showed a handheld, point of care, battery-operated diagnostics device the size of a small lunch box or portable radio that will first be used to test for AIDS in Africa–at a cost of $1.50 per test–starting next year. He pointed out that while drugs are available to treat the  33 million people worldwide who have  HIV– “ten million of them don’t know it.”

Scientia Advisors Partner Arshad Ahmed, who  served as moderator, (and is my client) pointed out in a recent blog that emerging markets may have the opportunity to adopt the latest point-of-care products, leapfrogging developed countries, in some instances–and that “emerging markets are where we will see the first application of low cost and inovative disruptive technologies at work.” Launching in the developing world allows companies to test out and market technologies before going through the rigorous approval process required in the developed world.

I was blown away by the prospects for  devices like these. I asked when and how they will affect the  costs and structure of, say, US healthcare–and whether those who make and market our costly technologies will try to keep these new testing devices from our marketplace. Ryan, whose nonprofit, DFA, will have a commercial wing, responded that she does not expect opposition from stakeholders in our current system. And a marketer for the device and pharma industries was adamant that  developments like these will not impact her customers–for many years,  at least.  Given the vicissitudes of the US regulatory system and financeers needs for ROI, that may well be true.

But, clearly,  technologies like these have tremendous potential to transform health care–and I’m excited at their prospects– for the long-neglected developing world.

—Anita M. Harris

Anita M. Harris is President of the Harris Communications Group, a marketing and public relations firm specializing in health, science and technology industries, worldwide.

Chakaia Booker 5-21-10

  Another must see:  Chakaia Booker’s  big black sculptures made from rubber tires, at the DeCordova Museum in Lincoln, MA.

Outdoor sculptures include a  huge “picture frame” made of tire scraps assembled on some sort of armature– through which you can see a corner of the museum . Also,  inverted tee-pee-like structure, composed of V-shaped scraps, on a scaffolding.

"No More Milk and Cookies"

 Indoors: complex forms,  freestanding and on the walls–which embody shapes, textures, and visually complex abstract scenes “referencing African textiles and body decoration to evoke issues of black culture, identity, gender, and environmentalism,” as the DeCordova Web site explains.

The sculptures also bring up important questions about relationships of man-made waste materials, landscape, and culture.

Some  of the sculptures look like whimsical worms or insects; despite the overall “heavy” message of the show, these  are simply fun….and so highly textural that  you want to touch them. (I have to admit…my friend E and I each copped a feel—tho appearing soft, most of the rubber pieces are hard–before discovering a demonstration area near the exhibit where you can actually play with tire materials).

As the Decordova points out on its Web site:

Formally, Booker’s work is engaged in dialogue with the history of Western sculpture, from the ancient and classical tradition of the human figure through the Modernist non-objective sculpture of the twentieth century.

What sets her work apart, and significantly expands upon the history of sculpture, is her ability–with rubber tires–to create surfaces on objects that resemble skins, feathers, scales, spikes, armor, or attire.