On June 12, I had the privilege of introducing the zoom happy hour for classmates who attended the 51st reunion of my graduating class. I touched on some of the incidents I wrote about in my 2015 book, Ithaca Diaries, which is about our four years 1966-1970. Sometimes, I call the book “Gidget Goes to the Revolution” which, in a way, sums up my college experience. But 51 years later, I thought it would be important to reflect on the past as it relates to the present and future–rather a handful for a 10-minute talk–but I think I managed to do it. Here’s a link to the video; the script, which I did not follow exactly, is inserted below.

Hi, I’m so glad to see everyone here, and especially that we’re all still here after this difficult year. I know that some of us are disappointed not to be in Ithaca—but the good part is that friends from far away can be with us.  One such friend said he would join in if I provided free drinks…which I am…in my living room.  CHEERS!

51^st ANNIVERSARY OF GRADUATION 1970
 I’m sure you know that this is the 51^st anniversary week of our crazy graduation. With those three walkouts, and the demonstration on stage where Morris Bishop, the distinguished historian and leader of the processional hit someone over the head with the baton he was carrying… Many people think that it was Dave Burack—my gov instructor—who got hit over the head …Burack swears it was his roommate…In any case, the demonstrators got hauled off stage and into a cop car…The bear at the top of the mace got bent and has never been the same—nor, I think,  have we.

 I remember that really well…which is amazing because people were  passing a JOINT when we were standing in the graduation processional…and I was definitely stoned.

I WROTE ABOUT THAT IN MY BOOK, ITHACA DIARIES which is based on the journals I kept as an undergraduate: it starts with me arriving at Cornell freshman year carrying the pink suitcase my uncle leon gave me for my bat mitzvah—goes through draft card burnings, demonstrations against the war,  the straight takeover,  MY LOVE LIFE, WHAT WAS I THINKING Kent State…and  ends on graduation day….when, to my amazement,  I even led a demonstration.

I WAS ORIGINALLY SUPPOSED TO TALK ABOUT ITHACA DIARIES LAST YEAR, AT OUR FIFTIETH but with the pandemic that really didn’t work out. So this year, Sally and Kathy asked me to introduce the social hour– they told me several times to be brief and to keep in mind that this is supposed to be a HAPPY hour. So I’m not going to reminisce a whole lot…I will just move the story ahead a little, wax a bit historical and philosophical, and then we’ll breakout out the drinks.  I mean..join the breakout sessions.

                                                                                    *

SINCE ITHACA DIARIES CAME OUT, I”VE BEEN WORKING ON TWO SEQUELS.

THE FIRST SEQUEL IS ABOUT MY FIRST YEAR OUT OF CORNELL— and I imagine that many of us went through similar experiences.   After all the turmoil on campus, and changes in the late sixties, I had no idea what to do with myself. (And of course, I was an English major…need I say more?) But as a fledgling feminist, I wanted to prove that I could do things: that anything a guy could do, I could do, too.  I got a bunch of short-term jobs.

WEST VIRGINIA First I got a job with the ILR School that took me traveling around the country to several hospitals,; in West Birginia, I had my first look at coal miners with black lung disease.

I WORKED IN A  POLITICAL CAMPAIGN  where one of the pols spent his days pretending to read the newspaper while staring at my legs…

THEN I WENT ON A ROAD TRIP cross country with two Brits I didn’t know, whose names I found on a bulletin board. They were both named John John, John, and I  drove cross country in a big black buick =–u drive it—and picked up every derelict and druggie, all the way from Miami to San Francisco.

AFTER THAT, I WORKED WITH DISADVANTAGED TEENS IN THE PHILADELPHIA GHETTO…AND FINALLY, I WOUND UP IN HARRISBURG, PENNSYLVANIA.  

That’s where the first sequel, which I’m CALLING PHILADELPHIA STORIES  ENDS.

HARRISBURG

SO, THEN, THE SEQUEL TO THE SEQUEL:  HARRISBURG
IT TURNED OUT THAT THREE OF OUR CLASSMATES, ED ZUCKERMAN, FRED SOLOWEY, AND VINCENT BLOCKER, WERE ALSO IN HARRISBURG, EACH FOR HIS OWN REASONS. WE AND SOME OTHER PEOPLE ENDED UP STARTING A NEWSPAPER THERE, IN CONNECTION TO A MAJOR POLITICAL TRIAL— IT WAS THE TRIAL OF THE HARRISBURG 8., WHICH HAD AN INTERESTING CORNELL CONNECTION. 

HARRISBURG 8 TRIAL
BERRIGAN: You may remember Dan Berrigan the anti war Priest, and poet who was deputy director of  Cornell United religious work. Anyway, while Dan Berrigan was in prison, Nixon’s FBI Director J EDGAR HOOVER ACCUSED DANIEL’s brother  Philip , who was also in prison, of conspiring to kidnap Henry Kissinger and blow up underground heating tunnels in Washington DC.  Also accused were  former ILR Professor Eqbal Ahmad, and six others—mostly nuns and priests. I’m not kidding, I’m not kidding.

So, Ed, Fred, Vincent and I started a newspaper called the Harrisburg Independent Press—or—HIP- around the trial of the Harrisburg 8. That was how I became a journalist, the paper was amazing.

And, for the last few years I’ve been working on a book on my experiences at HIP.

A FEW WEEKS AGO, I WAS WORKING ON THE CONCLUSION. And I started wondering what the heck am I doing, why am I time traveling, going back into the past all the time?  

ONE REASON IS PERSONAL : AS WITH Ithaca diaries, I needed to understand on a personal level, just what had gone down, to get things straight in my head, this was such a formative period, in order to figure out what to do next.  

BUT ANOTHER REASON IS HISTORICAL/SOCIETAL.

WHEN I FIRST STARTED WORKING ON THE HARRISBURG BOOK, TRUMP WAS JUST COMING INTO OFFICE, AND I FELT THE COUNTRY WAS DIVIDED, much as it was in the late 60s and early 70s.  I thought it might be interesting to draw some parallels between the present day divisiveness along the lines of  race, poverty, ethnicity, and corruption… and what was going on back then, under the Nixon administration, with race relations, the Vietnam War, dirty tricks and such.

SPIRALS: BROKEN PATTERNS:
 Then I thought about my first book, it’s called Broken patterns, and it’s about our generation of professional women in relation to our own mothers and grandmothers. It describes a spiral pattern in history—a spiral pattern that I think holds true for Individuals as well.

WHAT DO I MEANBY SPIRALS?  HERE I’d LIKE TO PONTIFICATE, A BIT, IF YOU WILL INDULGE ME…

Many of us—myself included—tend to think about progress in a linear way. That is, that to progress, we move forward in a straightforward path toward a goal.  But the older I get, the more I see that life sort of emerges in a series of starts and stops—that we get just so far, in moving toward a goal—maybe we reach it; maybe we get blocked… and then, as a society or as individuals, we tend to pull back to reassess, to reintegrate our own pasts, our country’s past, in order to move forward, once again.  

TODAY A TURNING POINT IN A SPIRAL
I think that now as a society we’re at a turning point in a spiral that’s kind of similar to where we were. 50 years ago. Now, as then, society is divided. Many have moved toward equality but others have been left behind.   As you know, there are issues of race, poverty, war, environment, how government should work, what kind of nation we want to be.  BUT despite all of the disruptions, the divisiveness, the protests,  the violence, I feel heartened that many of us are looking back historically, to understand how we got to this place so that we can regroup to find new ways of doing things.  I know that I’m painting with a rather broad brush—but I believe that==or I HOPE that– retreating a bit to reassess, will allow us move forward as individuals, and as a society, once again. END PONTIFICATION

COMING TOGETHER FOR OUR 51^st
 In the same way, coming together for our 50th, or 51^st reunion, gives us the chance to look back, to heal, to understand, to figure out where we’re at in order to find new ways to move forward in our own lives. I’m hoping that in our social… er happy hour, we’ll have a chance to catch up, figure out where we’ve been, where we are now, and  what adventures come  next as we enter this new phase in our lives.  TOAST WITH GLASS

One quick reminder—please use chat to catch up/share info or addresses with anyone you want to stay in touch with after the social.  

Riding on the MBTA this past weekend, I was struck  by the sexually (S&M)  suggestive “personal” ads for Bernie and Phyl’s furniture stores that pretty much dominated the car I was in.

One, for “one night stand” suggested going to the bedroom;  another, from “long, dark, and goodlooking–capable of satisfying ten people at one time;  into candlelight dinners and a little hot wax”, turned out to be a table.  Yet another read, “I’m really into the group thing….go both ways,  welcome blondes, brunettes and redheads, and “if you love leather,’ you’ll love me.'” It was for sectionals.

 

I believe in the first amendment, get the humor and enjoy double-entrendres as much as the next person. But as a female who has used dating apps and ads, my first thought was that these give the wrong idea about people looking to meet others-suggesting it’s all about kinky sex.

As someone who has done quite a lot of furniture shopping (even joked that I was “dating” sofas, because it took me so long to find the right one), I have to wonder who these ads are aimed at: millennials with loose morals? Desperate men with weird senses of humor?  I also wonder why Bernie and Phyl, whose TV ads used to show the two of them along with their grown children emphasizing that theirs is a family business, have changed their target market. (Their newer TV ads are also quite unappealing…in black and white, with unpleasant people,  sexual innuendos regarding headaches in the bedroom, family arguments and faked Brahmin accents).

Of greater concern is that the subway ads could offend people who are religious, concern those  travelling with children,  upset those who have been sexually abused, or suggest new behaviors to individuals with psychiatric disorders.

in fact,  other ads in the car encouraged riders to join a walk against sexual violence; offered help for autism spectrum disorder; or asked “Are you anxious?” (To which, I replied, “yes,” because of Bernie and Phyl’s ads). 

Clearly, the ads are provocative and will get lots of attention–after all, even I am writing about them.  Such attention might well bring new  customers to Bernie and Phyl’s stores. And it may well be true that “sex sells.”  But I’d bet that the ads will turn off their regular,  more traditional, customers.

I believe that people have a right to say what they wish and to do what they want  in the privacy of their  own homes and that most advertisers should be free to hype their stuff in  print,  radio, TV and on the Internet. But I also believe there should be limits to free speech in public places: (Hate speech, sex talk and some politics should not be inflicted).

It strikes me that the Bernie and Phyl  are walking a fine line with their sexually suggestive ads–in part because the subway is different from other advertising media. The signs are overhead whether you want to see them or not. Unlike ads you drive by on the highway or see in print or on TV or the internet, the subway posters remain in your face: you can’t drive past them or dismiss them by turning a page, changing a channel, or clicking to move on.

It is true that most subway riders can look away and focus on their smartphones. But at a time when mutual respect and consideration are so often sadly lacking,  I would much prefer to shop in stores promoting kindness, compassion and inclusion. As a communications consultant, I believe it would make good business sense for Bernie and Phyl to choose a more uplifting advertising strategy. In fact, I AM  looking for a new sofa. (And for a date!)

–Anita M. Harris
Anita Harris is a writer and communications consultant based in Cambridge, MA. She is the author of Broken Patterns: Professional Women and the Quest for a New Feminine Identity, and of Ithaca Diaries, Coming of Age in the 1960’s.

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and content strategy firm based in Kendall Square, Cambridge. 

 

Having just published a book on the late 1960s, and having driven past the famed Corita Kent gas tanks on route 93 South of Boston hundreds of times, I wondered, on entering the wonderful new exhibit “Corita Kent and the Language of Pop” at the Harvard Fogg Museum how I could possibly have missed Kent’s amazing presence in the Pop Art scene.

The show juxtaposes some 60 works by Kent–who was born in 1918 and became a nun in 1936–with approximately the same number of works by  known pop figures such as Andy Warhol,  Jim Dine,  Edward Ruscha, Roy Lichtenstein, Robert Indiana, and others.  It examines Kent’s screen prints; that 1971 bold “rainbow swash” design for the Boston Gas tank, as well as films, books, and other works.

But in a talk after the September 3 opening, Susan Dackerman, consultative curator of prints at the Harvard Art Museums, said that she herself had  not known much about Kent’s  work until she met another curator’s sister–Mary Anne Karia (née Mikulka), a former student of Kent’s at Immaculate Heart College in Los Angeles, and a long-time friend of Kent’s. Mikulka showed Dackerman the notes, papers and prints saved from her student and later days. That introduction, in 2010, turned into a multi-year research project in which a team of Harvard art historians and graduate students began to place Kent–who left the convent and moved to Boston in 1968– in the artistic and cultural movements of her time.

The exhibition explores how Kent’s work both responded to and advanced the concerns of Vatican II, a movement to modernize the Catholic Church and make it more relevant to contemporary society. The church advocated conducting the Mass in English. Kent, like her pop art contemporaries, simultaneously turned to vernacular texts for inclusion in her vibrant prints, drawing from such colloquial sources as product slogans, street signs, and Beatles lyrics. Vatican II also  advocated having priests turning to face their congregants–a theme shown in the reversals of words in various Kent prints which require viewers to commune or relate to the work in new ways, as pointed out by Elizabeth Cary Agassiz Professor of the Humanities. While Kent questioned the authority of the Church, she also took up  the church’s fight against poverty as an artistic theme. 

By bringing “Wonder Bread” into her work,  according to American studies graduate student Eva Payne Kent, Kent pointed out the need for food and  the leavening qualities of bread–as well as the symbolism of the communion wafer, and the sharing of bread as a means of communion among everyday people.

Kent thus emphasized the egalitarian rather than the authoritarian, and, unlike the implied messages of recognized pop artists,  her messages made her art not purely critique of the commercial world but brought out the importance of quotidian life.

In 1968, a year after she was featured as the new nun on cover of Newsweek Magazine, Kent left the convent and her teaching position and moved to Boston.

At this point, as sixties political protests escalated, Kent began to include news photo images of war, racial struggles, political figures in her prints– perhaps relying less on words to express emotion.  I found these works less vivid–but they packed a punch-. I was especially taken by an anti-war print that included a photo of Daniel and PHilip Berrigan, friends of hers who were priests and antiwar activists with whom I interacted at Cornell and later, during the Trial of the Harrisburg 8.

Asked in Q&A why Kent had not been considered important to the Pop Art, Dackerman pointed out that a center of the movement had been the Ferris Art Gallery, in Los Angeles–and that the recognized pop artists were often referred to as the “Ferris Studs.”  Not only was she a woman, Dackerman said, but she was, of all things “a nun.”. Another speaker mentioned that unlike her male counterparts, Kent, then called “Sister Mary Corita,” might have been considered “too cheery” and positive about the Church, possibilities for communion, and the egalitarian nature of the commercial world.

All in all–the show is a must-see for anyone interested in the 1960s, pop art, female artists or the relationship of art, religion, politics and social change.,

Anita M. Harris
Anita Harris is the author of Ithaca Diaries, Coming of Age in the 1960s and of Broken Patterns, Professional Women and the Quest for a New Feminine Identity.
Print and e-versions of both books are available on Amazon or Kindle.
New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and marketing firm in Cambridge, MA.

 

 

My writers group, the Write Stuff, based in LIncoln, MA, Public Library , will be celebrating its 10th anniversary on May 27;  I’m delighted to be joining fellow-members in a public reading from our work at the Library, 3 Bedford Rd, at 7 pm.

The Write Stuff started in fall 2005 as a series of craft sessions led by Jeanne Bracken, then research librarian, to encourage more local writers to contribute to the Lincoln Review, a local publication founded and edited by Elizabeth Smith, of Lincoln.

According to Neil O’Hara, who volunteers as Write Stuff’s facilitator, “It morphed into a critique group over the winter, led by Jeanne through September 2006, when I took over as facilitator.”

WS meets twice a month all year round, typically with four readings of up to 1000 words. All types of writing are welcome: fiction, non-fiction,  poetry, scripts and the like, with no restrictions on content/subject matter, O’Hara said.  There is no charge to join or contribute.

“Our goal is to provide constructive criticism to foster better writing–and it works, as any longstanding member will attest.”  O’Hara says his own writing has improved over the years, which he credits in part to WS, both because members have provided excellent feedback and because, as facilitator, “I feel an obligation to explain both what works and doesn’t work for me—and also why.”

While intent to publish is not a requirement, five Write Stuff members have published books in the last several years. They include: Bracken, Children With Cancer, a comprehensive reference guide for parents,  updated, rev.; Susan Coppock , Fly Away Home;  Anita M. Harris, Ithaca Diaries and Broken Patterns: Professional Women and the Quest for a New Feminine Identity 2^nd edition; the Rev. Jean F. Risley, Recovering the Lost Legacy:Moral Guidance for Today’s Christians; and Rick Wiggin, Embattled Farmers: Campaigns and Profiles of Revolutionary Soldiers from Lincoln, Massachusetts, 1775-1783;

In addition to providing members with a safe place to test out their work, the group continues to serve its original purpose, O’Hara says. Today, almost every edition of the Lincoln Review includes contributions from one or more WS members.

Readers on Wednesday will include:

Helen Bowden
Carmela D’Elia
Deborah Dorsey
Anita M. Harris
Joyce Quelch
Jean Risley
Ed Robson
Channing Wagg

The library is a member of the Minuteman Library System,  is a consortium of 43 libraries with 62 locations and a Central Site staff that work collectively to provide excellent service to its library users. The members include 36 public and 7 college libraries in the Metrowest region of Massachusetts..

For more information about the Write Stuff please contact Neil O’Hara: neiloh52 at gmail.com For directions to the library, please check the library home page at http://www.lincolnpl.org.

–Anita M. Harris
Anita M. Harris is a writer and communications consultant based in Cambridge, MA.New Cambridge Observer is a publication of the Harris Communications Group, a PR and marketing firm based in Kendall Square, Cambridge.

Excited to have been interviewed about Ithaca Diaries by radio personality  extraordinare Lisa Mullins.  A segment is slated to air nationally on NPR’s “Here and Now,”  on Memorial Day, May 25, 2015.  The  program airs live on WGBH Boston from 12 p.m. to 2 p.m. Both in Boston and elsewhere you can  choose a live stream from WBUR or Click here for a searchable list of public radio stations that broadcast Here & Now.

 

According to the Here and Now Website, you can also:

Hear individual stories: Audio for stories in the first hour of Here & Now is typically posted by 2:30 p.m. EST. Audio for stories in the second hour is typically posted by 3:30 p.m. EST. You can listen to past shows by browsing or searching the archives.

Hear the whole show: You can stream each hour of Here & Now using the WBUR mobile app. A podcast of each hour is also available in the iTunes store, within hours of its air time (better time estimates coming soon). For more ways to download the podcast (not using iTunes), go here.

About Here and Now:
Here and Now is a live production of NPR and WBUR Boston, in collaboration with public radio stations across the country.  According to its Website, the program reflects the fluid world of news as it’s happening in the middle of the day, with timely, smart and in-depth news, interviews and conversation.

Co-hosted by award-winning journalists Robin Young and Jeremy Hobson, the show’s daily lineup includes interviews with NPR reporters, editors and bloggers, as well as leading newsmakers, innovators and artists from across the U.S. and around the globe.

Here & Now began at WBUR in 1997, and expanded to two hours in partnership with NPR in 2013. Today, the show reaches an estimated 3.6 million weekly listeners on over 383 stations across the country.

About Ithaca Diaries
Ithaca Diaries  is a coming of age memoir set at Cornell University in the tumultuous 1960s. The story is told in first person from the point of view of a smart, sassy, funny, scared, sophisticated yet naïve college student who can laugh at herself while she and the world around her are having a nervous breakdown. Based on Harris’ own journals and letters, interviews and other primary and secondary accounts of the time, Ithaca Diaries describes collegiate life as protests, politics, and violence increasingly engulf the student, her campus, and her nation. Her irreverent observations serve as a prism for understanding what it was like to live through those tumultuous  times.While often laugh-out-loud funny, they provide meaningful insight into the process of political and social change we are continuing to experience, today.

Ithaca DIaries is available from Amazon, Kindle and the Cornell Campus Store.

Anita M. Harris is an award-winning writer, blogger, and communications consultant based in Cambridge, MA. A new edition of her  first book, Broken Patterns, Professional Women and the Quest for a New Feminine Identity, was published in 2014. 

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and marketing firm based in Cambridge, MA.

 

 

 

An aspiring author asks if she needs a Website for her new book.

My answer is yes:.the more exposure you can get on the Web the better–so that people searching for you or your topic can find you. But building a website is not for the faint of heart.

Having researched several site-building platforms, I decided to use WordPress to  build this site and  sites for my books,  Ithaca Diaries and Broken Patterns.

I chose WordPress because it seemed to be the simplest option, and you  can build a site a WordPress.com for free.   But I have to say  there was  quite a learning curve. To start with, the free templates are not at all intuitive (nor are the paid ones).

Then I had to decide if I would  pay for my own domain (web address). That is,   a free WordPress site  for New Cambridge Observer would be posted on WordPress.com and have the address  http://newcambridgeobserver.wordpress.com. I opted to pay approximately $12 to purchase the domain name  “New Cambridge Observer,” so that it could have the simpler address  https://newcambridgeobserver.com.  Then, I had to decide if I would pay for hosting at wordpress.com (simple, but limited options to sell from a site there,)  or pay to have it hosted on the server of a company like Godaddy, com..   I chose the latter because it allows more versatility and hosts my multiple sites for approximately $100 a year.

But no matter which building or hosting option you choose,: be aware that once your site or blog is launched, it takes a lot of time and energy to get readers to go there.  You need to understand the ever changing methods of search engine optimization and be very active on social media. And  once you get readers to the site, it’s a challenge to get them to comment or interact.  (To my readers–what gives?)

So, if you want to do it yourself, I’d advise a simple site optimized for SEO, combined with an intense social media plan. . If your goal is to build a community, you should put time, energy and $ into a Web site. If your goal is to sell books, I’d advise  a small site or blog (like this one–I used a free template called “Magazine Basic”).  It’s relatively easy to post   important information and links  that will take readers to Amazon, Kobo or other sites for stores where your books are available. You should also build an author site on Amazon–that’s  easy compared with building a Web site– but you still need to get people to go there.

Good luck!

–Anita M. Harris
Author, Ithaca Diaries, Coming of Age in the 1960s, Cambridge Common Press, 2015)  Broken Patterns, Professional Women and the Quest for a New Feminine Identity (Cambridge Common Press, 2014)

New Cambridge Observer is a publication of the Harris Communications Group, a marketing and PR firm based in Cambridge, MA.