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J. Montgomery to headline blues benefit for film about 1960s WBCN-radio

Will play at West End Johnnie, Boston, on Wednesday, November 20 Limited tickets now available through Eventbrite.com

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James Montgomery to lead at acoustic blues benefit Nov. 20

November 11, 2013 [Boston, MA]  —  Boston music legends led by bluesman James Montgomery will perform an evening of rare, unplugged acoustic blues at Boston’s West End Johnnie’s on November 20.The event will benefit the documentary film “The American Revolution,” which tells the story of the early days of WBCN-FM, as well as a recently established archives at UMass Amherst that is preserving and organizing the more than 100,000 archival items from the era shared for the film.

“In its early days, WBCN was the hub of enormous musical, social and political activity in Boston much of which had a national impact,” says Montgomery.  “The blues were at the heart of it, and we’ll celebrate the roots of blues in this special evening of music.”

The benefit is at West End Johnnie’s, 138 Portland St. Boston, MA (phone: 617-227-1588) the cornerstone of Boston’s renewed West End that features an expansive collection of sports and music memorabilia.

Tickets are available online at KickstartWBCN.com for a suggested tax-deductible donation of $25.  Donations to the non-profit production can also be made at the website.

“The American Revolution” tells the story of WBCN and Boston’s underground music, political and media scene during the late-1960s and early-1970s.  WBCN began broadcasting as a free-form station in Boston on March 15, 1968 and soon became a powerful and groundbreaking media platform for a young generation driven to challenge social, cultural and political norms.

“WBCN broke the mold among radio stations playing the recordings of great blues artists like B.B. King, Muddy Waters and Howlin’ Wolf,” says film producer Bill Lichtenstein, who worked at WBCN starting while in junior high school in 1970 when he was just 14 years old.  “Their music influenced emerging bands that were heavily blues-oriented, such as Fleetwood Mac, Jeff Beck and Led Zeppelin.  This evening of music is a celebration of this important musical history.”

The benefit is also supporting the newly-launched “The American Revolution Documentary Archive Collection,” a collaborative project between the film’s producer, Lichtenstein Creative Media, and UMass Amherst Libraries’ Special Collections and University Archives.

 The archive makes accessible to the public and scholars hundreds of hours of rare audio and video recordings and films; tens of thousands of photographs; letters, diaries, memoirs, and oral histories; posters; memorabilia; artwork; and other materials gathered from the public and then digitized and cataloged by the film’s Peabody Award-winning producer Lichtenstein Creative Media with UMass Amherst for use in the film.“The value of the American Revolution archives lies in the fact that WBCN was more than just a radio station; it was a voice for a community of young people dedicated to changing the world,” says Rob Cox, head of UMass Special Collections and University Archives.  “It is difficult to imagine a more creative array of writers, artists, musicians, and photographers than those who worked for, and were connected by, the radio station. Their contributions will make a important addition to our collections on social change.”

For more information on the benefit contact: Bill Lichtenstein, Lichtenstein Creative Media, cell: 917-635-2538, Bill@LCMedia.com

New Cambridge Observer is a publication of the Harris Communications Group, a PR and market development firm based in Kendall Square, Cambridge. 
–Anita Harris

 

 




House of Blues Gala Benefit for The American Revolution

Here are photos I took at last night’s gala benefit for Bill Lichtenstein’s forthcoming film, “The American Revolution–a documentary on WBCN radio which Lichtenstein credits as instrumental (pun intended) in the political and cultural upheavals of the late 1960s.


The first part of the evening, deemed “The Folk Revolution,” featured Tom Rush, Kate and Livingston Taylor, Jonathan Edwards, and “Spider” John Koerner.
Up next during “The Rock Revolution,” were  Al Kooper, Billy Squier, members of Boston, and The Uptown Horns . Also,  Danny Klein of The J. Geils Band, Peter Case, Jon-Pousette Dart, Kate Taylor, Willie “Loco” Alexander, The Fools, Sandy MacDonald, Johnny A., Tosh1, Barbara Holliday, members of both Duke & the Drivers and Barry & the Remains, with the James Montgomery Band. Charlie “Master Blaster” Daniels, original concert emcee at the legendary Boston Tea Party, which stood on the location of the House of Blues, hosted the event. The concert included light shows from Ken Brown, who oversaw the “psychedelic cinema” films that were a staple at the Tea Party.

A couple hundred people in the audience included  aging hippies, former (present?) dopers, professional and professorial types.  As an aging something or other myself, my only complaint was that there were no chairs…and it was a four hour show!

Please forgive my including three photos of Bill–wordpress glitch.

Anita M. Harris
New Cambridge Observer is a publication of the Harris Communications Group, a strategic PR/thought leadership/social media firm based in Kendall Square, Cambridge.