At the Peabody Essex Museum in Salem through September 1.

The Peabody Essex Museum’s major summer exhibition, Turner & the Sea is, in the broadest sense, about the maritime painting tradition.  It is also about the evolution of this great artist’s particular vision of earthly elements, and the extent to which that vision influenced – and was influenced by – others.

Joseph Mallord William Turner (1775-1851), a star of the academic system and a rebel against its constraints, was an artist who annoyed contemporary critics even while inspiring champions like John Ruskin.  Ruskin’s Modern Painters (1843), which became a classic of Victorian literature in its own right, helped to place Turner in the Pantheon of British painters.

Concentrating on sea paintings, the PEM show includes a number of major canvases, several on loan from UK institutions, a roomful of astonishing watercolors, and a handful of works by such influencers as Claude Lorrain and admirers like Constable, Sargent, and others.   Grand picture postcards like Venice:  The Dogana and San Giorgio Maggiore (1834) and monumental historical works like The Battle of Trafalgar (1805), paired with De Loutherberg’s Lord Howe’s Action (1793), provide a pleasing degree of “ooh” and “aah.”

Turner, inducted into the Royal Academy at a youthful 26, is associated with the age of Romanticism, with its penchant for “the sublime” and its dual consciousness of the terror and fragility of the natural world.   The Venice and Trafalgar paintings – one all glassy beauty and the other complete turmoil at sea — are appropriate touchstones of the academic as well as the romantic.  Turner, however, is an artist who seems to have mastered convention in order, eventually, to flout and override it.

His early devotion to watercolor, his spectacular abilities in that supposedly lesser medium, are apparent in an array of sketches and studies from the Liber Studiorum (1807-16) that greet us in one of the first galleries.  Looking at his later works in oils, the light and transparent underpainting suggest the remarkable, even triumphant, adaptation of watercolor technique.

We have the chance to see how others – 17th-century Dutch painters like Ruysdale and Willem van de Velde the Elder — approached the seascape and maritime subjects, applying restrained palettes and exquisite control to create moody works of great precision and detail.  In an essay on Turner in Looking at Pictures, Kenneth Clark discusses the difficulty of capturing the constant movement of waves.   Whether in the stylization of Chinese painting or Japanese prints, the almost algorithmic precision of DaVinci, or these Dutch seascapes, one is conscious of an attempt to regulate, to govern the ungovernable.   

Turner was, in his own right, a commander of the seas, to say nothing of notoriously difficult water-based media.  The watercolor and gouache Pembroke Castle (first exhibited in 1806) sets detailed renderings of the daily catch — mussels and fish scattered on the sand – against a majestic expanse of sky.   There is virtuosity here, but also a sense of freedom and a suggestion of the infinite that takes us far beyond the limits of the Dutch horizon.  

Motion defines Turner as light does the Impressionists.  His depiction of moving water, along with the even more evanescent steam and fire, set his work apart.   Flicking paint with the aplomb and seemingly random motions of an abstract expressionist, Turner was an action painter no less than Jackson Pollock.

The principal subject of Clark’s chapter, Snowstorm – Steamboat off a Harbor’s Mouth, is actually on loan for this exhibition.  In this 1842 work, a ship is nearly engulfed by steam, snow, mist, and foam.  Clark hints that Snowstorm may reflect the painter’s mental state.  He says, curiously, that “no one ever saw him at work,” as though there was some chicanery or secret amanuensis that history has kept hidden from us.    But the mystery of Turner’s painting is really the miracle of perception – not how he painted, but how we see.That mere flecks of color can suggest so much to the eye and brain, and that we can translate them so readily, is what astonishes.  

The late paintings have, of course, confounded many viewers.  Here, the PEM show offers a response in the form of Turner’s late watercolors.  Washes of color with a few figurative dashes, their simplicity seems to offer a key to the minimalism and near-abstraction of the late paintings.  They also bring us full circle, back to the medium that so inspired this artist and was the initial proving ground for his technique.   

The exhibition feels substantial yet doesn’t overwhelm, and its efforts to contextualize Turner through the work of others are instructive.   It makes its points deftly and without overstatement – that, and a rare chance to see this range of work, should point the way to Salem before the summer’s end.

–c. Rachel Yurman, 2014

Turner & the Sea was produced by the National Maritime Museum, part of Royal Museums Greenwich, London. Supported by an indemnity from the Federal Council on the Arts and the Humanities.

Carolyn and Peter S. Lynch and The Lynch Foundation, and The Manton Foundation provided generous support.

The East India Marine Associates of the Peabody Essex Museum also provided support.

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and marketing firm based in Cambridge, MA.

I’m very pleased to report  the launch of Virtual Book Group–which has chosen my book, Broken Patterns, Professional Women and the Quest for a New Feminine Identity as its featured summer read.

Virtual Book Group is an exciting new venture of digital marketing guru (and chief operating bookworm) Christina Inge.  Readers from all over the world can  to join for free to share their thoughts about selected books and related topics with one another and with authors, over time.

Inge said: “We created Virtual Book Group for people who love books, and love talking about them–whenever and wherever they are. 

“This summer, we’ll be reading Broken Patterns: Professional Women and the Quest for a New Feminine Identity.  Based on interviews with women who entered male-dominated careers in the 1970s and 1980s, Boston author and reporter Anita M. Harris looks at the intergenerational patterns of women’s lives. She shows how the experiences of mothers and grandmothers influence career decisions, and traces the impact of rapid technological and social change on family structures, psyches, and gender roles. 

“As with all summer books, ours is full of great stories, riveting drama, and lessons learned. But it’s not a potboiler. It’s an eye-opening look at generations of women in the workforce that picks up where Lean In leaves off.” 

As the author, I’ll be chiming in for online and video chats through August–and, possibly, beyond.

It’s free to join–but you do need to REGISTER.
If you’d like to buy Broken Patterns,  It’s available at the Harvard Bookstore, on Amazon and Kindle...as well as  Kobo, Apple, Inktera,  Nook, Page Foundry and Scribd.   You can find more information, photos, readers’ comments and tell your own story at Brokenpatternsbook.com.

–Anita M. Harris

Anita M. Harris is an author and communications consultant based in Cambridge, MA.
New Cambridge Observer is a publication the Harris Communications Group, an award-winning marketing and PR firm located in kendall Square, Cambridge.

On Friday, July 11, my friend Andrew Kreig spoke at the National Press Club in Washington about his new book Presidential Puppetry: Obama, Romney and Their Masters, which tackles intelligence agency influence on politics and the media.

Presidential Puppetry, is “a non-partisan exposé of the intelligence sector influence in the Obama administration’s second term,” he said.  Drawing from a century of history that includes the Romney and Bush family dynasties, it  argues that failures in news reporting will continue because both traditional and social media are heavily influenced by revenue sources little understood by the public, including most journalists and academics. Link to book preview video

In his talk, Kreig noted  that before the Washington Post was sold to Amazon CEO Jeffery Bezos last summer, the paper had, for many years, received just 4 percent of its revenue from circulation and 14-15 percent from advertising. Approximately 60 percent of Post revenue has come from an education subsidiary, Kaplan, which profits from lucrative but little-reported government relationships.

Similarly, Amazon.com, Bezos’ source of wealth, last fall obtained a $600 million contract to handle advanced computing needs for the CIA, Kreig said. The contract dwarfed the $250 million Bezos purchase price for the Post and further illustrates certain seldom-reported institutional ties between news-making agencies and news organizations.

In another example of close ties between government and the news media, Kreig noted that the president of CBS News is Andrew Rhodes. Rhodes brother, Ben, is Obama’s speechwriter, deputy national intelligence director and, as described by insider columnist David Ignatius in the July 11 Washington’s Post, “the closest thing he [Obama] has to a chief strategist.”

Earlier this month, Kreig pointed out, Ray McGovern, a CIA-analyst-turned peace activist, warned a separate audience at the Press Club that the mainstream media are suppressing vital news stories. According to McGovern, who spent 27 years as a CIA analyst with responsibility for daily briefings of two presidents, “Never has it been so bad in the 50 years I’ve been in this town” and “there’s one change that dwarfs all the others.”  What is that change? “We no longer have a free media,” McGovern said. “That’s big. It does not get any bigger than that.”

McGovern was first quoted in report published by the Justice Integrity Project, an organization Kreig founded in 2010 to probe courts, politics and media coverage (http://wwwow.ly/yT2Rw)

In Presidential Puppetry  Kreig documents how deep-pocketed corporations and other institutions have, for more than a century, shaped the public agenda with increasingly little scrutiny from watchdogs. The book draws on Kreig’s  two decades as an investigative reporter, lawyer and high-tech advocate based in Washington, DC.

In the book, Kreig alleges that what he calls “puppet masters” wield enormous influence over intelligence agencies, elected officials, and both traditional and social media. For example, he describes a pattern whereby many prominent elected leaders secretly served as CIA or FBI informants before they entered politics, thereby establishing relationships unknown to the public.

Such allegations are endorsed by an array of experts (www.presidentialpuppetry.com), including McGovern and former CIA analyst and retired journalist John Kelly, who is a board member of the Justice Integrity Project (http://www.justice-integrity.org/index.php?option=com_content&view=article&id=188&Itemid=153. Kelly is the last surviving reporter to have covered the 1960 JFK election victory party in Hyannis Port. He went on to work for CBS and NBC before becoming a CIA officer in Indochina during the Vietnam War era. In organizing and introducing last week’s dinner lecture, Kelly said the news media have become far too timid and institutionally compromised.

The “Puppetry” message is documented with 1,100 endnotes to help other researchers and reformers, Kreig said.  Its conclusion is that any reform must begin with an understanding of our hidden history. That is the theme of a 50-second preview video, entitled “Knowledge Empowers You.” (http://www.youtube.com/watch?v=4KV8Mt2nV_A)

I knew Kreig when he reported  for the Cornell Daily Sun in the late 1960s.  He’s since worked in journalism, technology, and  law. His Boston background iincludes coverage of the Celtics in the 1980s and a clerkship with Boston-based federal judge Mark Wolf, who is best known for presiding over the Patriarca mob case and exposing the Whitey Bulger scandal(http://en.wikipedia.org/wiki/Mark_L._Wolf). Kreig holds law degrees from both Yale and the University of Chicago. From 2009 to 2011, he researched controversial Bush administration federal prosecutions as a Washington-based senior fellow for the Schuster Institute for Investigative Journalism at Brandeis University.

–Anita M. Harris

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and marketing firm based in Kendall Square, Cambridge, MA.

Spending a day out of Cambridge?  If you wish you were in Paris but can only make it to New York -– take your dreams to the Met and see  “Charles Marville: Photographer of Paris” and “Paris as Muse: Photography 1840s-1930s,”  (both through May 4) and “The Passions of Jean-Baptiste Carpeaux” (through May 26)

[Rue de Constantine]
Charles Marville (French, Paris 1813–1879 Paris)
Date: ca. 1865 Medium: Albumen silver print from glass negative Dimensions: 27.3 x 36.8 cm (10 3/4 x 14 1/2 in.) Classification: Photographs Credit Line Permission Requested: Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1986 Accession Number: 1986.1141
)

 

CHARLES MARVILLE AT THE METROPOLITAN MUSEUM OF ART
Fifth Avenue at East 79^th Street

“ A bittersweet meditation on the meaning of nostalgia and the evolution of urban centers”

The Met’s current exhibit of Paris street scenes by 19^th-century French photographer Charles Marville is a revelation of memory and awareness that rebuffs the notion of nostalgia.

Marville (1813-1879), the son of modest tradespeople, used various techniques to document the destruction and re-creation of Paris from the early 1850’s through the 1870’s.  From 1862 on, he was the official photographer of the city of Paris.

    The neighborhoods and buildings Marville captured in these wondrous and sad images are long gone, having made way for the Paris of Napoleon III and his chief architect and planner, Baron Georges-Eugène Hausmann.The gilded, historic Paris that many of us know — the Belle Epoque city of grand boulevards and the Palais Garnier — was born in Marville’s time.  Preservationism was evolving, as well, through the necessary process of repairing and cleaning such monuments as the great cathedral of Chartres, Notre Dame de Paris, and the Sainte-Chapelle.   

   The impulse to capture the past while obliterating it from sight is the beating heart of these photographs, which preserve the gritty city of Murger’s Scènes de la Vie de Bohème and Hugo’s Les Misérables     .In Marville’s photos, the outskirts of this Paris still look rural, even desolate.  Most of its streets appear to be empty, in part because images were taken very early in the day, but also because Marville’s exposures weren’t long enough to capture pedestrians and carriages in motion.  The rare figures here and there were actually posed within the frame by the artist.The “Hausmannization” of Paris, a cramped, crowded, and less romantic city than the one we imagine, began in the 1850’s under Emperor Napoleon III.   In addition to clearing medieval slums, upgrading sanitation, building parks, and restoring public monuments, the creation of boulevards and wider streets was intended to thwart those who might build and mount barricades, as they  had in the uprisings of 1830 and 1848.Marville recorded everything.  The old buildings, covered with advertising and all kinds of affiches  touting such modern conveniences as the folding umbrella.   The glass-covered, shop-lined alleys called passages, soon to be overshadowed by the department stores, les grand magasins.  The old industrial areas that dumped waste into the Seine tributaries and canals.  The timeless stares of tannery workers.The emerging wonders of the city are displayed here, too.   Hausmann’s “street furniture,” advertising kiosks, gas lamps, and – mais oui – public urinals, are respectfully and meticulously documented by Marville’s camera.  Most remarkable, perhaps, are the photographer’s views of the Avenue de l’Opéra as it was being built in the 1870’s.  Leading to the new Opéra, now called the Palais Garnier, the neighborhood is shown post-demolition and pre-construction, looking like nothing so much as a war zone.One of the final ironies is learning that Marville himself was a victim of Hausmann’s grand plan.  The photographer’s own studios were demolished and, during the 1871 uprising afterthe Franco-Prussian War, the Hôtel de Ville came under attack and much of its archival material – including Marville’s work as official photographer — was destroyed.

The exhibition is a bittersweet meditation on the meaning of nostalgia and the evolution of urban centers, whose periodic re-invention is both necessary and heartless.  Nostalgia is a construct; there are many pasts beyond the ones we recall and imagine.   The home that you long for may be just one of a cascade of images, seen for an instant in a series of receding mirrors.

–Rachel Yurman,  Cambridge, MA
© 2014

 

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and marketing firm based in Kendall Square, Cambridge, MA.

 

 

Our friends at 360 Chestnut  and BTW [Behind the Walls Magazine [] present: 

DOES YOUR HOUSE KNOW TOO MUCH ABOUT YOU?
What:  Panel presentation: impact of home energy monitoring devices on privacy
When:  April 8^th, 2014
Where: Cambridge Innovation Center, 1 Broadway,Cambridge, MA Havana 5^th Floor
With:  Deborah Hurley, Jim Bride, Joseph Kolchisnky, Jason Hanna, and Daniel Hullah. Moderated by Alexandra Hall & Harold Simansky

Google’s recent acquisition of “smart thermostat maker NEST” was met with excitement in the home energy world—Google is finally recognizing the importance of energy efficiency. But now that the excitement has died down, people are realizing that Google will be in their homes more intimately than ever before. What does this mean for Americans’ already compromised privacy?

On April 8^th at the Cambridge Innovation Center in Kendall Square, 360Chestnut, Inc., and BTW: Behind the Walls magazine will host a panel discussion titled, “Does Your House Know Too Much About You?” Featuring experts on the home energy industry and “green” home improvement, the panel will address the looming issue of “smart” home monitoring devices: with sales expected to increase by 300% by 2020, are we giving up too much of privacy when embracing them?

The panel will include Deborah Hurley, a fellow at Harvard University’s Institute for Quantitative Social Science; Jim Bride, Founder and CEO of Energy Tariff Experts, LLC; Joseph Kolchinsky, Founder and Managing Director of OneVision Resources; Jason Hanna, Founder and CEO of Embue and Daniel Hullah, Partner and COO of Rockport Capital.  The moderators will be Harold Simansky, Founder and CEO of 360Chestnut Inc, and publisher of BTW: Behind The Walls and Alexandra Hall, Executive Producer of 360 Chestnut Inc, and Editor-in-Chief of BTW: Behind the Walls and COUPBoston will be the moderator.

The Panel:

Deborah Hurley is is a Fellow of the Institute for Quantitative Social Science (IQSS) at Harvard University and directed the Harvard University Information Infrastructure Project. At the Organization for Economic Cooperation and Development, in Paris, France, she was responsible for drafting, negotiation and adoption of the OECD Guidelines for the Security of Information Systems. Prior to joining the OECD, she practiced computer and intellectual property law in the United States. Hurley is Chair, Board of Directors, Electronic Privacy Information Center. She carried out a Fulbright study in Korea and is the author of Pole Star: Human Rights in the Information Society, and other publications. Hurley received the Namur Award of the International Federation for Information Processing (IFIP) in recognition of outstanding contributions, with international impact, to awareness of social implications of information technology.

Joseph (Joey) Kolchinsky is the founder and Managing Director of OneVision Resources, a company that merges his curiosity with technology and passion for simplicity. The firm is redefining excellent service for the modern family, providing comprehensive and stress-free support to members across a growing range of needs including personal technology, smart home design, and health management. Joey lives in Boston with his wife Jennifer and daughter Penelope.

Jim Bride has over a decade of experience in the energy and environmental industries. He launched Energy Tariff Experts, LLC to address an unmet need in the marketplace for accurate utility rate and energy cost information to enable more informed energy investment decisions. Prior to Energy Tariff Experts, Jim spent over four years at EnerNOC, a pioneering Smart Grid firm.

Jason Hanna is the CEO & Founder of Embue; a Boston-based company developing connected heating & cooling controls for residential and small commercial application. Jason is also the Founder & Board Chairman of Greentown Labs, a Boston-area incubator for clean energy and hardware companies, now home to over 40 emerging start-ups. Jason previously worked in high technology and was responsible for building an organization that automated over $1B of transactions for EMC Corporation.

Daniel Hullah is a Partner and COO of RockPort Capital a multi-stage venture capital firm that invests in the areas of alternative and traditional energy, mobility, and sustainability.  Daniel is an active member of the screening and diligence team and has worked on multiple transactions in several key cleantech sectors most notably solar energy and green buildings.  One such company is EcoFacto, a leader in home energy management, providing user-friendly active management of residential and small commercial thermostats using a Software-as-a-Service (SaaS) model.

Harold Simansky (moderator)  is the founder of 360Chestnut.  Before 360Chestnut he was involved in the creation of Green Guild of MA, LLC, a full-service energy audit and home weatherization company that has helped over 1,000 Massachusetts home owners make their homes more energy efficient.  Earlier, Harold was the developer of one of the first green, LEED-certified residential buildings in the Boston-area.  Harold also has experience in the world of finance and as a consultant with Bain & Company. He is a graduate of the MIT Sloan School of Management and Brandeis University.

Alexandra Hall (moderator) has more than ten years’ experience as a critic, lifestyle writer and editor of lifestyle topics in Boston and beyond. Alex has covered fashion, travel, entertainment, food, beauty, books, and the arts. She is currently editor-in-chief if COUP Boston, the city’s only luxury digital lifestyle magazine, and a freelance writer for publications including: Condé Nast Traveler, Bon Appétit, Town & Country, and Elle Decor.

360Chestnut is a multi-platform media company that helps consumers make their homes more sustainable, healthy and energy efficient.  This free-to-the-consumer service provides engaging experiences, expert information and personalized access to the 5000+ rebates that pay homeowners to be more energy efficient, as well as a connection to those who can do the work.  360Chestnut also published BTW: Behind the Walls magazine in partnership with the Wall Street Journal.

BTW: Behind the Walls is a quarterly magazine focused on healthy, sustainable and beautiful homes.  It is created in partnership with the Wall Street Journal and is distributed to more than 50,000 Wall Street Journal subscribers in MA, NH and VT.

COUPBoston is a multi-platform online magazine dedicated to all things innovative and forward thinking in Boston’s lifestyle community.

Info@360 Chestnut.com

–Anita M. Harris
New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and marketing firm based in Cambridge, MA.
Anita Harris is the author of Broken Patterns, Professional Womenand the Quest for a New Feminine Identity, publisher of New Cambridge Observer, and  managing director of the Harris Communications Group. HarrisCom provided editorial advice on the above writeup and is listed as a co-sponsor of the event.

Anita Harris speaking at the Lincoln, MA Library

Had fifteen seconds of fame on Friday, March 21, when I commented on Sheryl Sandberg’s Ban Bossy Campaign for PBS’s To the Contrary. The program, which airs nationally and on the Web, is public television’s all-female news analysis series–now in its 22nd season. You can view the program at http://www.pbs.org/to-the-contrary/watch/2885/contraception-cases;-ban-bossy;-congresswomen-and-leadership. 

My taped interview introduced a segment about Sheryl Sandberg’s campaign to expunge the “b” word (that would be “bossy”) from our vocabulary. I’d posted a New Cambridge Observer blog questioning whether the campaign will promote or harm good leadership among girls earlier in the week.
The program also covered the Obamacare Birth control mandate. Guests included:  Former Congresswomen Blanche Lincoln, Carol Moseley Braun, Connie Morella, Barbara Kennelly and Mary Bono. Panelists were Amy Siskind, The New Agenda; Kay Coles James, *resident, Gloucester Institute; Avis Jones DeWeever, NPR host, and Rina Shah, Republican strategist.

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning PR and Marketing firm based at the Cambridge Innovation Center, in Kendall Square, Cambridge. Anita Harris, HarrisCom’s Managing Director, is the author of Broken Patterns, Professional Women and the Quest for a New Feminine Identity.  Broken Patterns is available at Amazon.com, Kindle.com, and at the Harvard Bookstore, in Harvard Square.

Anita M. Harris (Not to be confused with the Anita Harris who wrote two of the books used to illustrate my introduction).

Clean tech meetup Boston 2013

Ordinarily, at business meetings,if you work in the kitchen, you stay in the kitchen.

But, on Tuesday, Nov. 12,  in an unusual turn of event, following brief talks by  Alicia Barton, CEO of the Massachusetts Clean Energy Center, and James Graham, clean tech dealmaker (yes, that’s really his title) at  the UK Trade and Investment Agency in Boston,   the chef in charge of food for an elegant reception at the Global Clean Tech Meetup 2013, took center stage. In  explaining how his kitchen at the  Boston Seaport Hotel is working toward sustainability, Chef Khaled Abi Issa said:

“At first it seemed like a difficult thing. But  after you move past the resistance to change and the doubters and the initial up-front expenses….to our surprise, it seemed very much achievable.”

Chef Khaled and his team started with recyling, then began to collect food scraps for composting, he said.  They then focused on building  relationships with local and regional suppliers– farmers, bakers and cheese makers.

The kitchen now has its own  herb garden, makes honey on the hotel campus, is increasingly using recycled containers, has eliminated styrofoam from the campus and has embarked on an initiative to reduce energy use in its storage areas.

“This is an ongoing process, it’s hard work and we are not there yet, but we feel good about our commitment, he said.

The “green kitchen”effort is part of an overall campaign by the hotel to operate in an “eco-friendly” manner, according to  Katie Watson, conference manager at the Seaport Hotel World Trade Center.

As described on the Seaport  Web site, the campaign, called “Seaport Saves”  is dedicated to increasing sustainability and conservation. “It is possible to coexist in a delicate balance with the natural world while providing exceptional service in a luxurious setting.” the Website reads. (The hotel features “environmentally friendly guest rooms,’ local, farm to table organic dining options, green cleaning practices. It also offers complimentary electric vehicle charging stations; and bicycles and helmets  for guests).

At the reception, I  also spoke with:

• Howard Simansky, CEO of  Cambridge-based media company 360 Chestnut and  board member of SmartHomze, which he described as “the world’s first line of affordable, net-zero-energy homes.” Solar powered, all five sizes of Smarthomze use proprietary building systems and new materials to ensure lower costs, high quality, and a healthier environment, he said. I also met (among others):
• Jim Bowen, Boston-based Division Manager for International Renewable Energy at Vertex Engineering, who is working on a major solar site in Mexico City
• Chad Joshi, President and CEO of Altranex, a Toronto company with  a waste-based  biofuel to replace diesel–unusual in that it remains fluid in very cold temperatures
• Paul Laskow, of SaveEnergySystems in Somerville, which offers technology to help mid-sized companies measure and conserve their use of fuel.

BTW–In case you’re curious about the green kitchen’s menu: the beef, artichoke pasta,  lamb, burger sliders, spinach pie, and pastries were delicious.  I especially liked the chocolate-filled chocolate bonbons…and the Pinot. But, with apologies to the chef.the lentil burgers…not so much.

I wish I could have spent more time at the meetup–which included many high level speakers ( Masschusetts Governor Deval Patrick, Diarmuid O’Connell, VP of corporate and Business Development at Tesla Motors, for example) and companies from as far away as Norway and Israel. For more information, about the meetup, go to the conference website at https://meetup2013.pathable.com/#meetings.

As for the MassCEC: it began operating in 2009  with the goal of accelerating the growth of the Massachusetts clean energy industry. According to Catherine Williams, the  CEC’s  Senior Director for Communications,  as the  first agency of its kind in the US. , the Clean Energy Center:

(1) Provides financing and planning assistance to communities, businesses and residents seeking to adopt clean energy projects including solar, wind, biomass, water and organics-to-energy technologies.

(2) Works  with clean energy businesses to grow their operations, provide training and workforce development, develop industry reports and sector analysis, and act as a connector across the clean energy ecosystem from academia and incubators to entrepreneurs and investors.

(3) Provides strategic and early-stage investments growing clean energy companies in order to promote the development of innovative technologies, leverage private capital and create jobs in the Commonwealth..

The  Center is financed by  the Renewable Energy Trust Fund,  created by the Massachusetts Legislature in 1998 as part of the deregulation of the electric utility market. The trust is funded by a systems benefit charge paid by electric ratepayers of investor-owned utilities in Massachusetts, as well as municipal electric departments that have opted to participate in the program.

—Anita Harris

Anita Harris is a writer and consultant based in Cambridge MA. New Cambridge Observer is a publication of the Harris Communications Group,an award-winning  PR & market development firm based in Kendall Square. HarrisCom specializes in outreach for health, science, technology and energy in the US and internationally.  

Phillips Brooks House Association (PBHA) and Breakthrough Greater Boston (BTGB) , both based  in Cambridge,  have together raised more than $50,000 for vital summer youth programs, according to a recent communique from BTGB.

Sponsored by The Boston Foundation, the Giving Common Challenge was a 36-hour online event running from 8:00 a.m. on October 10 through 8:00 p.m. on October 11, 2012. More than 500 Massachusetts nonprofits competed for donations and more than $100,000 in time-based and grand prizes based on both the number and amount of unique gifts were given out. Both PBHA and Breakthrough took home major prizes.

Cambridge’s PBHA won the “most unique donors” grand prize of $25,000, with 379 supporters contributing $17,102 to the organization. PBHA also won one of the $2,000 “happy hour” prizes, awarded to the first 10 nonprofits to receive 50 unique gifts between 6:00 and 8:00 p.m. on October 10. Combining the amount raised from donors with the two prizes, PBHA raised a total of $44,102.

Breakthrough Greater Boston, also based in Cambridge, finished in 9th place in unique donors, after rising as high as 4th. With its 137 gifts, as well as a $2,000 “lunch time” prize similar to PBHA’s “happy hour” prize, Breakthrough Greater Boston netted close to $15,000.

The funds raised by PBHA will support more than 80 community-service programs led by 1,600 college students in the areas of adult services; advocacy, organizing, housing, and health; after-school and in-school; mentoring; and summer.

PBHA executive director Maria Dominguez Gray noted, “The breadth and support of the individual donors, from former teen participants to volunteer alumni, was overwhelming. The additional funding we were able to raise through this important community effort is especially important in light of recent government cuts to high-impact services, including PBHA’s Harvard Square and St. James homeless shelters as well as the Summer Urban Program.” PBHA’s student president Carolyn Chou confirmed, “This money will allow us not only to continue providing quality services but imagine an exciting future for PBHA. The dedication and support of our donors is a testament to the work we do, and it will allow us to keep going despite a tough financial environment for nonprofits.”

The impact on Breakthrough Greater Boston’s out-of-school time and teacher training programming will be equally great,  according to  Breakthrough’s executive director, Elissa Spelman.

“As we continue to work on bridging the education gap in Greater Boston, we rely on the generosity of our supporters. Placing 9th in the Giving Common Challenge is not only an honor for our organization but a testament to the dedication of the broader Breakthrough community that made our success over the past 36 hours possible,” she said.  “Breakthrough Greater Boston is in the midst of an exciting expansion from Cambridge into Boston, so the awareness and visibility of our organization within Boston’s philanthropic community couldn’t come at a better time. We extend our sincerest gratitude to all who supported us.”

According to the BGTB communique: For more than a century PBHA programs have provided vital experiences for generations of leaders in service and activism while developing real, meaningful community partnerships. PBHA strives to create change on multiple levels in Boston and Cambridge. For 20 years BTGB  has been working to transform urban education for students and teachers.. Through six years of intensive, tuition-free, out of school time programming, Breakthrough changes students’ academic trajectories and supports them along the path to four-year college. Simultaneously, BTGB builds the next generation of teachers through competitive recruitment, research-based training, and coaching from master teachers.

–Posted by Anita M. Harris
New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and online marketing  firm based in Cambridge, MA.