Mao’s Last Dancer–breathtakingly beautiful

Mao’s Last Dancer is so moving that I even teared up at times. I’d give it 3 and 3/4 stars–and a great recommendation for anyone who likes dance and US patriotism.

Photo from Mao's Last DancerLoved Mao’s Last Dancer, a new film based on the true story of ballet dancer Li Cunxin, who, as a child, was pulled from his poor family in the Chinese countryside to train in Beijing during the Cultural Revolution–and through his own quest for freedom  wound up an international star.  

Directed by Bruce Beresford (Driving Miss Daisy, Tender Mercies)  the movie was filmed in China, Houston and Australia–and stars  Birmingham Royal Ballet Principal Dancer Chi Cao, Australian Ballet dancer Chengwu Guo  and Huang Wen Bin, who play Cunxin at different ages. 

Mao’s Last Dancer showcases many beautiful–even breathtaking–ballet sequences from acclaimed Australian choreographer Graeme Murphy and co stars  co-stars Bruce Greenwood, Kyle MacLachlan and Joan Chen.

The story is so moving that I even teared up at times–despite a bit of clunky acting ( foregivable because the artists are dancers, first, of course).

Mao’s Last Dancer premiered on 13rd September 2009, at the Toronto International Film Festival and will be opening in theaters Oct. 1, 2010.  I’d give it 3 and 3/4 stars–and a great recommendation for anyone who likes dance and US patriotism.

–Anita Harris

New Cambridge

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In and Out: Chakaia Booker–untiring at the DeCordova

At first, I was put off by Booker’s big black rubber sculptures–but once I understood more about them, was mesmerized by the beauty of their patterns, and the messages they convey.

Chakaia Booker 5-21-10

  Another must see:  Chakaia Booker’s  big black sculptures made from rubber tires, at the DeCordova Museum in Lincoln, MA.

Booker "Picture frame"

Outdoor sculptures include a  huge “picture frame” made of tire scraps assembled on some sort of armature– through which you can see a corner of the museum . Also,  inverted tee-pee-like structure, composed of V-shaped scraps, on a scaffolding.

"No More Milk and Cookies"

 Indoors: complex forms,  freestanding and on the walls–which embody shapes, textures, and visually complex abstract scenes “referencing African textiles and body decoration to evoke issues of black culture, identity, gender, and environmentalism,” as the DeCordova Web site explains.

The sculptures also bring up important questions about relationships of man-made waste materials, landscape, and culture.

Some  of the sculptures look like whimsical worms or insects; despite the overall “heavy” message of the show, these  are simply fun….and so highly textural that  you want to touch them. (I have to admit…my friend E and I each copped a feel—tho appearing soft, most of the rubber pieces are hard–before discovering a demonstration area near the exhibit where you can actually play with tire materials).

As the Decordova points out on its Web site:

Formally, Booker’s work is engaged in dialogue with the history of Western sculpture, from the ancient and classical tradition of the human figure through the Modernist non-objective sculpture of the twentieth century.

What sets her work apart, and significantly expands upon the history of sculpture, is her ability–with rubber tires–to create surfaces on objects that resemble skins, feathers, scales, spikes, armor, or attire.

These surfaces, in concert with their underlying forms, serve as metaphors for a potent range of emotions and psychological states.
Booker’s sculptures can seem alluring, threatening, encompassing, vulnerable, majestic, humorous, ominous, or tender.
 
I wanted to jump into “It’s So Hard to Be Green”…instead, asked E to take my photo in front of it.
AMH and Hard to be Green

In and Out refers simultaneously to the indoor/outdoor placement of the sculptures, the complex dialogues among surface/structure and mass/volume/void in each work, and also to the sexually suggestive images in some of Booker’s work.
I  confess that I didn’t catch the sexual suggestions…but maybe that’s the wanting to jump into it, part.

I was repelled (and fascinated)  by a huge bug-like sculpture,  but did find the patterns beautiful and mesmorizing.  

Throughout the indoor exhibit, I marvelled at Booker’s creativity–and, while, at first, felt a bit put off by all of the black, was  impressed with how effective it was in highlighting spatial relationships, recognizable objects, African fabric and body art patterns, and abstract form.

[Added 5-25-10: and thinking more about it–perhaps the all-black sculptures makes a further, important point about power and variation of and within black cultures, nations, communities and individuals.  Brava! AMH]

The show will be up through August 29, 2010.

—-Anita M. Harris

New Cambridge Observer is a publication of the Harris Communications Group of Cambridge, MA .

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Health gizmos for non-geeks: new monitoring devices for staying well

I was blown away when I heard about pill bottle caps that will tell you (or your doctor or your caretakers) if you’ve forgotten to take your meds…a kazoo that measures the chemistry of the air from your lungs…and a telephone that can assess whether you’re depressed–from the tones of your voice. Remote health monitoring gizmos are not for the future: they are now!

You don’t need to be a geek to get into some of the newest technology for keeping track of your health. I was blown away when I heard about pill bottle caps that will tell  you (or your doctor or your caretakers)  if you’ve forgotten to take your meds…a kazoo that measures the chemistry of the air from your lungs…and a telephone that can assess whether you’re depressed–from the tones of your voice.

These gizmos are the brainchildren of David Rose, an entrepreneur who is now the CEO of Vitality, Inc., in Cambridge.  Rose has also invented bathroom scales that can show whether you’ve lost or gained weight, an umbrella that can sense whether it’s going to rain, and objects that assess air quality.

Rose was one of four panelists who spoke last week at a program sponsored by the Medical Development Group about some astounding new health gadgets, most of which are actually on the market. (MDG is a Boston area organization for individuals involved in the medical device and technology industries). 

Rose focused on the above-mentioned pill bottle “Glo-Caps”, which “sense”  when a patient takes a medication, and, via a wireless Internet connection, show health care professionals, patients or caregivers whether reminders are needed.  

The caps light up, play a melody, and even ring a home phone to remind patients to take their pills.  The caps can send weekly emails to remote caregivers, create accountability with doctors through an adherence report, and automatically refill prescriptions. 

Glo-Caps are not currently available for purchase by individuals, but they are being used by patients enrolled in programs sponsored by certain health insurers and pharmacies.

Panelist Ben Rubin, Co-Founder and Chief Technology officer of Zeo, in Newton, MA, described Zeo’s novel  headset and device that monitor an individual’s REM sleep and factors influencing sleep patterns.  Knowing how well you sleep is important because sleep is closely tied to health conditions like obesity, depression, diabetes and the like, Rubin said. “If you measure it, you can manage it.” 

Zeo’s sleep devices, which cost $250,  connect to  an Internet site. For an additional $100, Zeo provides email advice coaching to help individuals improve their “sleep hygiene.” 

There’s also a  Smart Phone application designed to promote better sleep:  using the Ap, you put your phone under your pillow to measure your movement (and restlessness) during sleep.

Panelists also described glucose monitors that send data to doctors via patients’ Smart Phones and Nike running shoes that measure your steps. At one point, Rose pulled out a keychain that tells him whether he’s met his daily walking goals and whether he’s on track (ha ha) to meet his monthly goals.

Also mentioned  were Internet tools such as a Google Ap to measure flu trends; Healthmedia, through which Johnson & Johnson provides digital coaching for managing stress and chronic disease, Philips Direct, which provides live coaching over email, and various “calorie and other body monitors through which individuals can receive online coaching through gyms.

All of these devices fall under a category moderator David Barash, MD, CEO of Concord [MA] Health Strategies calls “local health monitoring” –meaning that the devices can be used by patients or consumers almost anywhere–rather than just at home or in a hospital,  doctor’s office or lab.

 According to a recent review by my client, Scientia Advisors, “remote health monitoring” devices are the fastest growing category in a booming home health care market. 

The devices are growing in popularity in sync with an aging population, increasing chronic disease, and new Internet technologies, Barash said.

Panelist Frank McGillin, Vice President of Global Marketing for Philips Healthcare, which markets a variety of home monitoring devices, said  remote monitoring  will become increasing important in light of growing health care costs.

Gillin cited government statistics showing that  health care current accounts for 17.6 percent of the  gross domestic product in the US, and that by 2050, half of the population in the developed world will be chronically ill—making traditional medical care  fiscally overwhelming. 

Devorah Klein, PhD, a principal at Continuum, in Newton, MA, who designs devices and evaluates patient adherence to therapy regimes for diabetes, asthma, arthritis, multiple sclerosis and erectile dysfunction, emphasized that  simple designs are key because “many patients are not all that interested” in learning to use devices.

And Barash pointed out that while many consumers may be intrigued by these gizmos, doctors have been slow to embrace them.

 For one thing, with a dearth of clinical trials to assess devices’ effectiveness, insurers are reluctant to reimburse doctors for evaluating the data thus compiled.

For another,  it’s not clear how doctors can manage or assess  potentially large amounts of additional data, or  how data collected for individual conditions can be assessed in relation to data collected elsewhere for other, possibly related, conditions.

–Anita M. Harris

New Cambridge Observer is published by the Harris Communications Group, a  writing  and public relations firm in Cambridge, MA.  All rights reserved.

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Nine-Day Cambridge Science Festival Showcases City’s Tech Prowess

Join me at the Cambridge Science Festival Cambridge Innovation Center Open House (or attend a myriad of other events) through May 3.

The Cambridge Innovation Center and quite a few companies will be holding open houses this Thursday in Kendall Square, Cambridge–as part of the nine-day Cambridge Science Festival.

Billed on its Web site as “the first of its kind in the nation,”  the annual Festival opened on Saturday, April 24, to showcase  Cambridge as an internationally recognized leader in science, technology, engineering and math.  A multifaceted, multicultural event held every spring, the Cambridge Science Festival makes science accessible, interactive and fun.

A myriad of events–ranging from talks and panel discussions to demonstrations, luncheons, museum exhibits, elementary school science fairs  and company open houses–are listed at the  Festival’s Schedule of Events.

I expect to be at the Cambridge Innovotion Center open house at 1 Broadway  on Thursday evening–as will my client, InVivo Therapeutics, and   Vitality, Seeding Labs, Acorn Product Development,   HubSpot and other companies.   The Venture Cafe, on the 11th floor,  will be open to the public  from 6-9 pm.

Also on Thursday evening, Microsoft’s NERD Center, Google, VMware, and the Singapore-MIT GAMBIT Game Lab will hold open houses.  
The Festival is sponsored  by MIT, Pfizer, and the city of Cambridge.
–Anita M. Harris
New Cambridge Observer is published by the Harris Communications Group of Cambridge, MA. We also publish HarrisCom Blog and Ithaca Diaries Blog. 
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Malanga “Souls” Photo Exhibit Opens at Menard

Each photo was snapped at a moment of seeming profound interpersonal understanding, of relationship, of trust between photographer and subject. Those those moments are shared with/experienced by the viewer.

Last night, the Pierre Menard Gallery in Cambridge, MA, opened a truly impressive exhibition of Gerard Malanga’s photographs– black and white portraits of some of the most illustrious artists and literary figures of the last 40 years or so– Keith Richards, Pete Seeger, Allen Ginsberg, Patti Smith, Roman Polanski, John Ashberry,  and Larry Rivers–along with pictures of a few “unknowns.”

Andy Warhol

Knowing that Malanga, born in 1943, worked for seven years as Andy Warhol’s chief assistant and collaborator; that along with Warhol and John Wilcock he co-founded Interview Magazine; and that his photos have been commissioned by Elle, The New York Times Magazine, and Vanity Fair, one might expect these portraits to be glitzy, glam celebrity.

But Malanga is also a writer who has published 17 books of poetry.
And in this show, called “Souls,” in every photo, it is the poetic spirit–of both photographer and subject– that shines through.
Larry Rivers
Larry Rivers
The program notes declare that “Malanga’s proximity to the epicenter of a cultural and artistic revolution gained him unprecedent access” to his wide array of subjects.

And, clearly, his visual sense and technical skills are stellar.

But  to me, what stands out  is the mutuality in these photos– each snapped at a moment of seeming profound interpersonal understanding, of relationship, of trust between photographer and subject.

Most remarkable is  how the intimacy of these moments—some from more than 30 years ago– is shared with/deeply experienced  by the viewer.

 

At the Pierre Menard Gallery, 10 Arrow St. Cambridge, MA  through April 11, 2010

—Anita M. Harris

New Cambridge Observer is a publication of the Harris Communications Group of Cambridge, MA. We also publish HarrisCom Blog and Ithaca Diaries Blog.

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Eeek Mice #5

Last night, I got back from an art opening, turned on the kitchen light and a mouse (I hope) the size of my loafer ran across the counter top, dropped to the floor, continued across the room and disappeared under the stove.

I screamed (no meek “eek,” this time).

Last night, I got back from an art opening, turned on the kitchen light and a mouse (I hope) the size of my loafer ran across the counter top, dropped to the floor, and continued across the room and disappeared under the stove.
I screamed (no meek “eek,” this time), then emailed Gus.
Gus–a big one just ran across the kitchen countertop, dropped to the floor and disappeared under the stove. I can’t wait for Doug to act;  I need to call an exterminator tomorrow and let you work out the payment with Doug.  
 
 
Dear Claire: You and your mistress, Sheila, are cordially invited to tea tomorrow.  RSVP.
 
 
—Anita M. Harris
 
New Cambridge Observer is a publication of the Harris Communications Group of Cambridge, MA. We also publish HarrisCom Blog and Ithaca Diaries Blog.
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