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Dick Pirozzolo Review: Power, Strategy, the US and the South China Sea

“We’re going to war in the South China Sea … no doubt.’
—Steve Bannon, former Trump policy advisor.

Great Powers, Grand Strategies, a new  book edited by policy expert Anders Corr, PhDurges that the United States play a diplomatic role in the Pacific and project naval power as a stalwart against China’s efforts to expand that nation’s influence worldwide. 

The South China Sea has been a churning cauldron of controversy over Paracel and Spratly Islands  since the third century BC, when what is now the Peoples Republic of China claimed the islands for themselves.

In recent times, armed battles between China and other claimants of the islands and surrounding waterways have become concerning—particularly when it comes to the new role Vietnam is playing as a U.S. ally in the effort to maintain the balance of power in the region.

The region has been largely ignored by the US, which tends to focus on the Middle East.  Of late, the White House has been pressuring China to tamp down North Korea’s nuclear ambitions, making it difficult to confront Xi, the Chinese leader, over his aspirations in Southeast Asia.

Six months ago, former Trump advisor Steve Bannon stated bluntly in an interview. ‘We’re going to war in the South China Sea … no doubt.’

Amidst the controversy, which has sparked deadly conflict between Chinese warships and Philippine and Vietnamese commercial and military vessels, comes Great Powers, Grand Strategies: the New Game in the South China Sea, a book to be released on January 15 by the Naval Institute Press. 

The volume, written by a group of foreign policy and diplomacy authorities and edited by Corr,  examines China’s desire to project its power in this vital region for shipping, fishing, and oil exploration as part of a strategy aimed at projecting power and influence worldwide. Corr is founder and CEO of Corr Analytics in New York, which helps governments and businesses evaluate strategic and international political risks as part of their decision-making process. 

In the book, Corr maintains that Vietnam, the Philippines, Brunei and other Southeast Asian Nations (ASEAN) with a stake in maintaining peaceful, multifaceted trade relations with China are being blackmailed by China’s overreach, while  the United States needs to  maintain its Naval presence in the Pacific or cede American influence and power to China.

  “This book is the first to focus on major power grand strategies including economic, diplomatic, and military strategies, and their interrelationships so that we can explore how global actors are, on the one hand, contributing to the solution and, on the other hand, perpetuating conflict,” he explains.

Anders Corr, PhD

 Corr cites China’s actions as ample reason for the US Navy to maintain its cautionary presence in the Pacific, which he regards as, “part of a global system of defense of not only the United States but its allies and values, which include international law, democracy, and human rights. To criticize the United States deployment in the Pacific as offensive without geographic context ignores the global picture and principles the United States is defending.

 Corr calls into question China’s disputed claims to the Spratly Islands and sea lanes in the South China Sea and its maneuvering to control the territory militarily. After having established its boot print in theglobal system of defense of not only the United States but its allies and values, which include international law, democracy, and human rights. To criticize the United States deployment in the Pacific as offensive without geographic context ignores the global picture and principles the United States is defending.

 “Viewing China’s presence in the South China Sea as defensive against U.S. forward deployment ignores China’s similar offensive actions in the East China Sea and Himalayan region of India, ” Corr adds. He decries China’s suppression of democracy, human rights, and international law in Asia and abroad and its efforts to remake global governance to its own advantage rather than on principles of democracy, stating, “China’s South China Sea actions are offensive when viewed in this global context.”

The volume assembles the thinking of foreign policy authorities Bill Hayton, Gordon Chang, Bernard Cole, James Fanell, and others who examine the conflict in the context of a global big picture.

As editor, Corr juxtaposes the grand strategies of the great powers to determine the likely outcomes of the dispute, and suggests ways to defuse tensions that are likely to spill over to other regions.

 Corr has visited all South China Sea claimant countries, undertaking research in Vietnam, the Philippines, Taiwan, and Brunei. He has also conducted analysis for USPACOM, CENTCOM, and NATO, including work in Bangladesh, Afghanistan, and Ukraine.

[Great Powers, Grand Strategies, China & the Asia Pacific ( Naval Institute Press, January 15, 2018.   336 pp, Hardcover & eBook $34.95, ISBN: 978-1-68247-235-4]

Dick Pirozzolo is managing director of Pirozzolo Company Public Relations, an international corporate communications firm based in Boston. He coauthored “Escape from Saigon, a novel focusing on the last month of Vietnam War, in 1975.

New Cambridge Observer is a publication of the Harris Communications Group, an award-winningconten digital marketing and content strategy firm based in Cambridge, MA–of which Pirozzolo is a member. 

 




Ranger Jean Posts Fresh Pond “Rules of the Road” Signs

Fresh Pond Rules of the Road, posted after we contacted Ranger Jeanne

 

Two weeks ago, I stopped to thank Ranger Jean Rogers for the information she sent after I emailed her about almost being run off the path at Fresh Pond, in Cambridge–and to mention it that I’d posted it on New Cambridge Observer (September 11).

She told me that several people had similar complaints, and that her office would soon be posting signs suggesting proper “etiquette.” (She also suggested that I call the police if anyone ran roughshod like that, again).

On my run this morning, I was pleased to see that signs outlining etiquette have been posted.

They apply to runners, walkers, bikers and dog people. (Well, to everyone)

  • Keep to the right
  • Pass on the left and make your presence known.
  • Slow down when passing
  • Keep your dog on a leash
  • Be aware of your surroundings . When running with ear buds. check behind you before passing.
  • Kindly move off the path to stop and talk.
  • Slower-moving people stay to the right
  • Use lights when it’s dark.
  • See Fresh Pond Reservation Rules and Regulations for off-leash use.

 

Fresh Pond, Sept 24, 2017

.I want to apologize for occasionally running on the dirt path to the left of the blacktop–but only because, in some areas, the dirt path is very narrow and overrun with bushes or, worse, yet, poison ivy.

I also want to thank Ranger Jean for her help with this.

Anita Harris

Anita M. Harris is a writer, photographer and wunner (she walks and runs?)  in Cambridge, MA.

New Cambridge Observer is a publication of the Harris Communications Group, also of Cambridge.




Ani Kasten Ceramics in Concord: Inspirational Art for Precarious Times

 

 

 

I found Ani Kasten’s latest ceramics exhibit, which opened yesterday at the Lacoste Gallery in Concord, MA, inspirational.  The work, comprised mainly of vessels of irregular shapes and sizes,  is  delicate, with seams sometimes held together with thin wires, and replete with beautiful, unexpected embellishments, cracks. colors and patterns that make the viewer stop to contemplate.

Entitled From the Ruins, the show focuses on vessels and sculptures that are “deconstructed…  ‘barely holding together’, ‘coming apart at the seams’, and searching for a cohesive beauty in their tenuous state of existence,”  according to the exhibit writeup.

I mentioned to Kasten that her work “spoke” to me, especially because too many of my close friends and family members have passed away, recently, and that I’m working on writing and photography projects that I hope will help bring shape, beauty, meaning and new life to past experiences.  Kasten responded that she, too, has gone through several major losses, which in part, inspired her current work.

Ani Kasten

As she writes in her artist’s statement for the exhibit:
 “Investigating the materiality of the clay is the foundation and focal point for all of my sculptural vessels. I create wheel-thrown and hand-built forms in families, and these sculptural groupings explore the meeting point between natural and man-made worlds. The vessels take their influence from plants, water, rocks and clay, as well as from architecture, industry and machinery.
“The forms integrate both of these sensibilities into a composed landscape, such as a stand of bamboo-like, truncated cylinders, perforated with small windows to look like corroded skyscrapers, or a simple, pure form such as a smooth sphere, marked on its surface with an off-center, wandering imprint, like bird tracks in the sand. The pieces are often truncated, off-center, weathered and perforated, combining natural movement and an apparent state of organic deterioration that invokes the cycle of life, death, decay.
“They investigate the nature of change, the compiling of memory, and a feeling of profound loss– the recognition of temporal beauty bound inextricably with grief. The pieces are like remnants, a landscape of objects that remain after some kind of significant change, grave markers, or organic matter that has survived a great fire.
“As creative expressions of form, movement and texture, my work is infused with a modern, minimal aesthetic while at the same time reminding one of a natural or ancient object exposed to the rigors of time. As does nature, my ceramics often incorporate repeated markings and patterns, and explore asymmetry while retaining balance, lightness, and quietude of form.”-
According to a gallery publication, Kasten was drawn to the medium of clay as an apprentice to British ceramist Rupert Spira, Then she headed a stoneware making facility in Nepal for four years before returning to the USA to set up ceramic studios in California, Maryland and most recently Minnesota.  She has exhibited her work nationally and internationally with works in the permanent collections of the Racine Art Museum, Wisconsin; the Weisman Art Museum Minneapolis MN; and the Sana’ a Collection, the US Embassy, Sana’ a Yemen.
I should also mention that I had a lovely time at the opening, Despite the serious nature of her work, Kasten  is quite personable. That’s expressed,  in the “lightness and quietude” of her work but also emerged in a fun conversation we had with others at the gallery about online dating.  
The exhibit, at the Lacoste Gallery, 25 Main Street in Concord, runs through October 28, 2017. I recommend it highly.
Anita M. Harris
Anita Harris is a writer, photographer and communications consultant based in Cambridge, MA.
New Cambridge Observer is a publication of the Harris Communications Group.



Fresh Pond’s Ranger Jean on rules of the road

 

Fresh Pond, cambridge

Fresh Pond, Cambridge
Credit: Anita M. Harris

I often run at Fresh Pond. True,  I have a “running” debate with my exercise app, which sometimes  calls what I do “walking”  but be that as it may… I have struck up a number of very cordial relationships, there, with the dogs and their humans.

 

 

 

Ordinarily,  everyone is quite friendly (though I can get a bit ferocious when a human attached to three dogs on leashes blocks the entire width of running path).

 

 

 

But a  few weeks ago,  I ran into a spate of ungracious humans who yelled at me that I was running on the wrong side of the road, gave me the finger (to be honest, I responded in kind)  and one who even tried to force me off the dirt path. I asked Ranger Jean Rodgers if there are right-of-way rules for the Pond. 

 

Here’s her response.

Dear Anita,

Thank you for taking the time to write and share your experiences here at Fresh Pond Reservation.  I’m sorry to hear you are having some less than civil interactions with other users.  Soft running surfaces are in short supply here at Fresh Pond.  No one has a right to them to the exclusion of others. As with all public spaces, sharing and civility are required however frustrating.   If most people keep to the right as they are able, travel on the Perimeter Road would have a level of predictability.  

The behavior of others as you have reported it is unacceptable for any reason.  I will post some signs in our information boards, the ranger station and at entrances excerpted from the street code booklet that help visitors know that sharing and civil interactions are  expected.

The City has just issued “Street Code, Rules and Etiquette for Getting There Together” to address the need for safe and civil behavior when people are moving about the City’s Public Spaces.  Shared Path Etiquette is addressed on page 16. I plan to post it around the Reservation.  http://bit.ly/CambridgeStreetCode  

Here’s a summary and some links to our Shared Use Plan that was developed a while ago with the public to encourage civil interactions and use of Fresh Pond Reservation:

https://www.cambridgema.gov/Water/freshpondreservation/aboutfreshpond/shareduse

Shared Use Plan 

As the terminal reservoir in the water system that provides drinking water to the City of Cambridge, Fresh Pond Reservation serves as in important buffer to protect the health and water quality of Fresh Pond.  The Reservation is also an important open space for Cambridge residents and visitors. Due to limited space on paths, trails, and open areas, as well as increasing popularity due to restoration efforts, occasional conflicts among users can arise. To address these conflicts, the City sought to engage the public in order to develop a shared vision for future use and a clear implementable plan between the Summer 2010 and Spring 2011. The result of this process was the Shared Use Plan with the intent to accomplish the following objectives (in no particular order):
*Protect the flora, fauna, and overall ecosystem and water supply, 
*Promote a welcoming and safe place, 
*Provide for a multitude of recreational activities, 
*Promote mutual respect and civility among users, 
*Improve communication among users and with those managing the Reservation, 
*Provide for additional education and opportunities to participate in stewardship, 
*Enhance user safety and enforcement through rules that are easy to understand, posted, and enforceable, 
*Provide for enjoyment by current and future generations. 

 

Please feel free to put the ranger phone number (617 349-xxxx) in your phone contact list and call me to come out and assist if you if people don’t settle down and share the space with you.   I do my best to answer the phone whether I’m on or off duty.   If someone threatens you or puts a hand on you, call the police for immediate assistance (911 or at their business number 617 349-3300).

We all matter and we all make a difference.

Jean Rogers
Chief Ranger
Fresh Pond Reservation

Anita Harris is a writer and communications consultant based in Cambridge, MA.
New Cambridge Observer is a publication of the Harris Communications Group, also in Cambridge.

 




Frankenthaler, Picasso at the Clark

When I was growing  up in Albany, my mother, our friend Dorothy and I frequently drove over to the Sterling and Francine Clark Art Institute, in Williamstown, MA, to see the Degas, Renoirs and other European and American works from the museum’s collection.

Clark Institute-Opened in 1955

Over the years, the marble building, which opened in 1955, became increasingly crowded with visitors.

Clark-Center_ReflectingPool_Opened 2014

But recently, the Clark has added more than 2,200 square feet of new gallery space in a fabulous new, light-filled wing called the Clark Center; a library and research center;  and, on a hilltop across the 140 acre campus, the Lunder exhibit center.

This summer,  I viewed woodcuts and large-scale paintings by the American Artist Helen Frankenthaler (1928-2011), and prints by the Spanish artist, Pablo Picasso–all in the Clark’s new buildings.

No Rules: Helen Frankenthaler Woodcuts

No Rules
The woodcut show, “No Rules,” takes its name from a quote from Frankenthaler:

There are no rules, that is one thing I say about every medium, every picture . …that is how art is born, that is how breakthroughs happen. Go against the rules or ignore the rules, that is what invention is about.

As  a Frankenthaler Foundation writeup explains: in 1983, having experimented with lithography, etching and screen printing, Frankenthaler  traveled to Japan to work with the expert woodcarver Reizo Monjyu and the printer Tadashi Toda.

“These efforts resulted in an entirely new, layered approach to color, which differed from traditional forms of woodcut in which images are pulled from a single carved block or from several different color blocks.”In the 1990s and early 2000s,

Japanese Maple, woodcut, 2005

Frankenthaler continued to experiment in woodcuts , working with dyed paper pulp printed with color blocks to create layers of color. For Tales of Genji (1998) and Madame Butterfly (2000), she again collaborated with an expert Japanese carver, printers, and papermakers to produce stunning prints that are considered landmarks in the evolution of the woodcut medium.”

I especially liked her Japanese Maple (above) a 16-color woodcut displaying the deep, vibrant tones of such trees–but no images. 

 

As in Nature
I found “As in Nature” (twelve large-scale paintings exhibited in the Lunder Center at Stone Hill)  breathtaking: vibrant shapes and colors demonstrating tension between abstract art and nature.

As suggested in a Frankenthaler Foundation press release, Frankenthaler’s work  maintains “a complicated relationship” with traditional landscape painting– showing nature as a joyous respite, despite its unpredictability and even violence.

Many of Frankenthaler’s works of the 1980s and ’90s… feature ‘unsettling contrasts among colors and forms, evoking the drama inherent in nature, beauty and destruction…”

 

 

 

After viewing the paintings, I walked down the road toward the reflecting pool and the Clark Center with heightened awareness of the vibrancy and serenity of the trees, plants, white clouds and blue sky. 

Shifting my gaze from the stunning museum architecture to the vibrant hillside,  I felt  engaged in the synergy of manmade artistic structures and natural ones, each creation highlighting the beauty of the others. 

 

 

 

 

 

 

Picasso/Encounters 

I would be remiss not to mention the fascinating Picasso | Encounters, which explores the artist’s interest in and experimentation with large-scale printmaking throughout his career.” The exhibit, in the Clark Center, displays  Picasso’s “evolving techniques, the narrative preoccupations that drove his creativity, the muses who inspired and supported him, and the often-neglected issue of the collaboration inherent in print production.   Showcasing 35 prints and three paintings, the exhibit includes  portraits, portraits and scenes such as “Luncheon on the grass,”  after Manet’s “Dejeuner Sur L’herbe.”   Several of the works bring the viewer perhaps uncomfortably “up close and personal” to the women in Picasso’s life.

According to a Clark writeup, Picasso (Spain, 1881-1973)had a complex relationship with women. He once argued: ‘There are only two types of women—goddesses and doormats.’ Such misogynist statements align with historical understandings of Picasso’s various muses as passive. But for Picasso the relationship was much more complicated; as his goddesses, these muses inspired his art and were the foundation of his family life. While it is perhaps easier to understand these women as servile, they were essential to Picasso’s life and art as collaborators and partners.”

Frankenthaler’s “No Rules” will be on view through September 24; “As In Nature” through October 9, and the Picasso “Encounters” through August 27. See them all if you can.

 

The Clark’s permanent collection features European and American paintingssculptureprintsdrawingsphotographs, and decorative arts from the Renaissance to the early twentieth century. The collection is especially rich in French Impressionist and Academic paintings, British oil sketchesdrawings, and silver.

 

–Anita M. Harris
Anita Harris is a writer, photographer and communications consultant based in Cambridge, MA.
New Cambridge Observer is a publication of the Harris Communications Group, located in Kendall Square, Cambridge.