Spending a day out of Cambridge?  If you wish you were in Paris but can only make it to New York -– take your dreams to the Met and see  “Charles Marville: Photographer of Paris” and “Paris as Muse: Photography 1840s-1930s,”  (both through May 4) and “The Passions of Jean-Baptiste Carpeaux” (through May 26)

[Rue de Constantine]
Charles Marville (French, Paris 1813–1879 Paris)
Date: ca. 1865 Medium: Albumen silver print from glass negative Dimensions: 27.3 x 36.8 cm (10 3/4 x 14 1/2 in.) Classification: Photographs Credit Line Permission Requested: Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1986 Accession Number: 1986.1141
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CHARLES MARVILLE AT THE METROPOLITAN MUSEUM OF ART
Fifth Avenue at East 79^th Street

“ A bittersweet meditation on the meaning of nostalgia and the evolution of urban centers”

The Met’s current exhibit of Paris street scenes by 19^th-century French photographer Charles Marville is a revelation of memory and awareness that rebuffs the notion of nostalgia.

Marville (1813-1879), the son of modest tradespeople, used various techniques to document the destruction and re-creation of Paris from the early 1850’s through the 1870’s.  From 1862 on, he was the official photographer of the city of Paris.

    The neighborhoods and buildings Marville captured in these wondrous and sad images are long gone, having made way for the Paris of Napoleon III and his chief architect and planner, Baron Georges-Eugène Hausmann.The gilded, historic Paris that many of us know — the Belle Epoque city of grand boulevards and the Palais Garnier — was born in Marville’s time.  Preservationism was evolving, as well, through the necessary process of repairing and cleaning such monuments as the great cathedral of Chartres, Notre Dame de Paris, and the Sainte-Chapelle.   

   The impulse to capture the past while obliterating it from sight is the beating heart of these photographs, which preserve the gritty city of Murger’s Scènes de la Vie de Bohème and Hugo’s Les Misérables     .In Marville’s photos, the outskirts of this Paris still look rural, even desolate.  Most of its streets appear to be empty, in part because images were taken very early in the day, but also because Marville’s exposures weren’t long enough to capture pedestrians and carriages in motion.  The rare figures here and there were actually posed within the frame by the artist.The “Hausmannization” of Paris, a cramped, crowded, and less romantic city than the one we imagine, began in the 1850’s under Emperor Napoleon III.   In addition to clearing medieval slums, upgrading sanitation, building parks, and restoring public monuments, the creation of boulevards and wider streets was intended to thwart those who might build and mount barricades, as they  had in the uprisings of 1830 and 1848.Marville recorded everything.  The old buildings, covered with advertising and all kinds of affiches  touting such modern conveniences as the folding umbrella.   The glass-covered, shop-lined alleys called passages, soon to be overshadowed by the department stores, les grand magasins.  The old industrial areas that dumped waste into the Seine tributaries and canals.  The timeless stares of tannery workers.The emerging wonders of the city are displayed here, too.   Hausmann’s “street furniture,” advertising kiosks, gas lamps, and – mais oui – public urinals, are respectfully and meticulously documented by Marville’s camera.  Most remarkable, perhaps, are the photographer’s views of the Avenue de l’Opéra as it was being built in the 1870’s.  Leading to the new Opéra, now called the Palais Garnier, the neighborhood is shown post-demolition and pre-construction, looking like nothing so much as a war zone.One of the final ironies is learning that Marville himself was a victim of Hausmann’s grand plan.  The photographer’s own studios were demolished and, during the 1871 uprising afterthe Franco-Prussian War, the Hôtel de Ville came under attack and much of its archival material – including Marville’s work as official photographer — was destroyed.

The exhibition is a bittersweet meditation on the meaning of nostalgia and the evolution of urban centers, whose periodic re-invention is both necessary and heartless.  Nostalgia is a construct; there are many pasts beyond the ones we recall and imagine.   The home that you long for may be just one of a cascade of images, seen for an instant in a series of receding mirrors.

–Rachel Yurman,  Cambridge, MA
© 2014

 

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and marketing firm based in Kendall Square, Cambridge, MA.

 

 

Queen Elizabeth II and Philip Ramirez of the Harris Communications Group

Went to the British Consulate Tuesday morning  (June 4, 2013) expecting to hear the Right Hon. Jeremy Hunt, MP, the UK Secretary of State, speak about recent changes in the British health care system–but at the start of the session, Vice Consul Anne Avidon explained that Hunt had been called to Downing Street and that she’d done her best to replace him with someone of equal or higher rank. Avidon then pulled out a life-sized cardboard photo of the Queen–commenting that “she listens a lot but doesn’t say much.”

UK Boston HM Consul General Susie Kitchens and Tim Kelsey, national director for patients and information, National Health Service Commissioning Board.

The levity continued as the Consulate team collected the results of a networking game, in which attendees had been handed scrabble letters to add to those of others at the event in order to form words related to health care. The winning word–Edata–brought five people Cadbury chocolate bars from England.

In a Q& A session with Consul General Susie Kitchens, the real speaker, Tim Kelsey, national director for patients and information of  the UK’s National Health Service Commissioning Board,   outlined several components of what a Consulate publication describes as  “the most widespread changes in England’s National Health Service since its inception in 1948.”

One key change, effective since April 1, is that 80 percent of the UK healthcare budget (approximately $120B), has been “devolved” from the Department of Health to frontline clinicians. These clinicians form new Clinical Commissioning Groups and are responsible for designing, delivering, and paying for local health services.

Some other changes involve requiring doctors at various level to share treatment and mortality outcomes, increased patient participation in assessing their own care, and the digitization of all health care records by 2018.

The event was sponsored by UK Trade and Investment and the British American Business Council of New England.

–Anita M. Harris

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and digital marketing firm based in Cambridge, MA.

Sorry I couldn’t make it to this year’s Global  Cleantech Meetup but am pleased to post information provided  by Harold Simansky about his company, 360 Chestnut , which provides resources for consumers and service providers  in the home improvement market, and about WeFunder, a crowd investing platform for startups.

Both companies are headquartered at the Cambridge Innovation Center in Kendall Square, where I share space, although I have not yet met either Simansky or WeFunder cofounder and President Mike Norman.

Simansky says the two companies “stole the show,” but I’ll bet they got a run for their money (so to speak) from my friend and informal PR client,  Christine Adamow, who announced that her company, EuphorbUS,  which has produced pure fuel oil from tree seeds in Africa since 2007, is setting up shop in Hawaii. [Link to Euphorbus release.]

Simansky writes that WeFunder is the premier crowd investing platform for startups, while 360Chestnut is growing into one of the largest home improvement sites on the web.

Both startups were featured presenters at the  two day conference: Norman gave the keynote address to the more than 500 attendees and Simanski spoke on home improvement and sustainability.

Simansky points out that 360Chestnut is using the WeFunder  platform to raise its most recent round  of  investment, and in his  keynote, Norman called  360Chestnut an “ideal company” to use crowd investing to fund its growth.

Simansky describes WeFunder as “a crowd investing platform for startups.”  Using the platform, crowd investors can purchase stock for as little as $100 in promising new businesses around the country.  With the passage of the  US JOBS Act in April,  startups will soon be allowed to solicit investment from small, “unaccredited” investors and sell small stakes in their businesses online.

He says that  360Chestnut is “a no-cost, trusted source” where homeowners learn what to do to make their homes more healthy, energy-efficient and comfortable;  connect with qualified service providers, and access the more than 5000 rebate and incentives that will pay for this type of work.

For service providers, 360Chestnut is “a constant source of educated, nurtured customers; marketing & sales support; easy-to-use software and applications; online training; financing options and more.   Service providers pay to join and may purchase products and service son the site.

–Anita M. Harris

New Cambridge Observer is a publication of the Harris Communications Group, an award-winning public relations and online-marketing firm based in Cambridge, MA.

Having completed an excellent three-evening course on Dreamweaver  just this week at Cambridge Community Television in Central Square,  I urge Cantabridgians to take part in one of the focus groups to be conducted in early October–all related to the Cambridge’s technology future  and the role of Comcast, which, by law, sponsors CCTV, in the community.

Here’s the info–lifted in its entirety, I confess–from an email CCTV sent to me yesterday.

New Cambridge Observer is a publication of the Harris Communications Group of Cambridge, MA. We also publish Harriscomblog.